Forever Faithless

• FAITHLESS FOREVER FAITHLESS - GREATEST HITS

2010 release from the iconic British Electronic act. The Dance sees Maxi Jazz, Sister Bliss and Rollo reach the bar that their back-cat sets so high, and Maxi reckons it's 'chock-a-block with dance tunes which we hope will be the soundtrack to many Saturday nights for a while to come.' Faithless family member Dido lends her shimmering tones to 'Feeling Good'. Also getting in the vocal booth for tracks on the album are Dougy Mandagi (The Temper Trap), Itch (The King Blues) and classical singer Mia Maestro. First single 'Not Going Home' is a stadium-like club symphony, a seven minute sonic call-to-arms. Faithless' influence from being at the top of the pile for a decade and a half is easy to spot these days: think Calvin Harris' recent #1 or the countless tracks with a House groove, riff and rapper, Faithless' signature sound adopted by many, better! ed by none. PIAS. 2010.2009 two CD compilation from the British Dance duo. Contains hits, album tracks a few rarities and plenty of great Faithless moments guaranteed to keep you up all night. 30 tracks including 'God Is A DJ', 'We Come 1', 'One Step Too Far' (featuring Dido) and many more. Camden.FAITHLESS - DVD Movie

New York Times bestseller Karin Slaughter brings back her two most fascinating and complex charactersâ€"medical examiner Sara Linton and her ex-husband, police chief Jeffrey Tolliverâ€"in a heart-pounding tale of faith, doubt, and murder…

The victim was buried alive in the Georgia woodsâ€"then killed in a horrifying fashion. When Sara Linton and Jeffrey Tolliver stumble upon the body, both become consumed with finding out who killed the pretty young woman. For them, a harrowing journey begins, one that will test their own turbulent relationship and draw dozens of life into the case.

For as Jeffrey and Sara move further dow! n a trail of shocking surprises and hidden passions, neither i! s prepar ed for the most stunning discovery of all: the identity of a killer who is more evil and dangerous than anyone could have guessed.“Brilliant plotting, relentless suspense,” raved the Washington Post. “A new synonym for terror,” crowned the Detroit Free Press. The critics agree: no one writes suspense like Karin Slaughter, whose thrillers featuring medical examiner Sara Linton and her ex-husband, police chief Jeffrey Tolliver, have propelled her to the top of bestseller lists the world over. Now Slaughter fuses her unmatched grasp of forensic science and a mastery of complex relationships in a riveting tale of faith, doubt, and murder.

The victim was buried alive in the Georgia woodsâ€"then killed in a horrifying fashion. When Sara Linton and Jeffrey Tolliver stumble upon the body, both become consumed with finding out who killed the pretty, impeccably dressed young woman. And for Sara and Jeffrey, a harrowing journey begins, one that will test thei! r own turbulent relationship and draw dozens of lives into the case.

Lena Adams is one of them. A Grant County detective for years, she has her own reasons for being drawn to this case and a fierce drive to see justice done. For these three people, who have each seen the darkest side of human nature, the body of the murdered girl is but the first in a series of shocking and sordid revelations.

Now, as Jeffrey and Sara narrow the field of suspects, they must confront their own doubts and indiscretions, while Lena Adams sees herself reflected in the frightened eyes of a battered woman who may be the key figure in the case. As Faithless builds to a stunning and unforgettable climax, Karin Slaughter masterfully brings together strands of interlocking lives, family secrets, and hidden passions with one astounding truth: the identity of a killer who is more evil and dangerous than anyone could have guessed.


From the Hardcover edition.! “Brilliant plotting, relentless suspense,” raved the Washi! ngton Po st. “A new synonym for terror,” crowned the Detroit Free Press. The critics agree: no one writes suspense like Karin Slaughter, whose thrillers featuring medical examiner Sara Linton and her ex-husband, police chief Jeffrey Tolliver, have propelled her to the top of bestseller lists the world over. Now Slaughter fuses her unmatched grasp of forensic science and a mastery of complex relationships in a riveting tale of faith, doubt, and murder.

The victim was buried alive in the Georgia woodsâ€"then killed in a horrifying fashion. When Sara Linton and Jeffrey Tolliver stumble upon the body, both become consumed with finding out who killed the pretty, impeccably dressed young woman. And for Sara and Jeffrey, a harrowing journey begins, one that will test their own turbulent relationship and draw dozens of lives into the case.

Lena Adams is one of them. A Grant County detective for years, she has her own reasons for being drawn to this case and a fierce! drive to see justice done. For these three people, who have each seen the darkest side of human nature, the body of the murdered girl is but the first in a series of shocking and sordid revelations.

Now, as Jeffrey and Sara narrow the field of suspects, they must confront their own doubts and indiscretions, while Lena Adams sees herself reflected in the frightened eyes of a battered woman who may be the key figure in the case. As Faithless builds to a stunning and unforgettable climax, Karin Slaughter masterfully brings together strands of interlocking lives, family secrets, and hidden passions with one astounding truth: the identity of a killer who is more evil and dangerous than anyone could have guessed.


From the Hardcover edition.* Unavailable in the US! Repromotion. Forever Faithless features the greatest hits of Faithless's 10-million-records-selling career, with tracks taken from all four previously released albums 'Reverence', 'Sunday 8pm',! 'Outrospective' and 'No Roots'. Tracks include 'God Is a DJ',! 'Insomn ia' and the massive 'We Come 1'. Faithless are, Sister Bliss (biggest female DJ in the world and multi-instrumentalist), Maxi Jazz (leading UK rapper and Buddhist) and Rollo (producer and svengali).16 tracks including a new track, 'Fatty Boo'. BMG.

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PaperMate Pink Pearl Premium Medium Rubber Eraser, 3-Count (70502PP)

• Premium rubber eraser
• Removes pencil mistakes without smearing, staining or abrading
• Soft beveled shape
• Color: PINK
• Brand: Sanford
• Soft and pliable, self-cleaning and gentle on paper

Paper Mate Pink Pearl Eraser

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Big Apple Barn #1: Happy Go Lucky

• ISBN13: 9780439893718
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Academy Award nominee Mike Leigh (Best Director and Best Original Screenplay, Vera Drake, 2004), delivers the delightfully fresh and cheerful comedy Happy-Go-Lucky. Free-spirited and effervescent, Poppy is a schoolteacher whose unstoppable optimism guides her life. Bubbling forth with giggles, laughter and jokes, life's a bowl of cherries even when she comes across a few pits. Whether it's a cranky driving teacher or a fiery flamenco instructor, Poppy embraces life on the sunny side of the street. It's a joyous, feel-good film you'll find irresistible. Bonus features include: Behind the Wheel of Happy-Go-Lucky, Happy-In-Character, audio commentary by Director Mike LeighMike Leigh has made a career out ! of unusual films--who else would make a biopic about Gilbert & Sullivan?--but Happy-Go-Lucky may be his most unusual yet: A movie about a woman who is almost compulsively cheerful. Poppy (Sally Hawkins, star of the 2007 miniseries of Persuasion) may at first seem like the most annoying human being alive. She can't help but try to get a smile from someone who's ignoring her. When her bicycle gets stolen, she shrugs it off and decides to learn how to drive, which leads her to form a strange sparring relationship with her frustrated driving instructor, Scott (Eddie Marsan). Meanwhile, she takes flamenco lessons, visits with her squabbling family, tries to help a troubled boy at the school where she teaches, and encounters a homeless man--but this bland catalogue of events doesn't capture how Poppy's relentless optimism acts as a rorschach test to the people around her, reflecting back their worst or best feelings about themselves. Poppy, whose natural impulse! is to empathize, discovers she needs to draw boundaries betwe! en herse lf and a world that wants to interpret her cheerfulness in unintended ways. The result is a unique movie experience, one that defies conventional notions of what's dramatic yet grows more absorbing with every moment. Just as it's hard to imagine anyone liking Poppy at the start of Happy-Go-Lucky, it's hard to imagine that anyone doesn't care about her by the movie's end. --Bret FetzerStudio: Lions Gate Home Ent. Release Date: 04/15/2011 Run time: 118 minutes Rating: RMike Leigh has made a career out of unusual films--who else would make a biopic about Gilbert & Sullivan?--but Happy-Go-Lucky may be his most unusual yet: A movie about a woman who is almost compulsively cheerful. Poppy (Sally Hawkins, star of the 2007 miniseries of Persuasion) may at first seem like the most annoying human being alive. She can't help but try to get a smile from someone who's ignoring her. When her bicycle gets stolen, she shrugs it off and decides! to learn how to drive, which leads her to form a strange sparring relationship with her frustrated driving instructor, Scott (Eddie Marsan). Meanwhile, she takes flamenco lessons, visits with her squabbling family, tries to help a troubled boy at the school where she teaches, and encounters a homeless man--but this bland catalogue of events doesn't capture how Poppy's relentless optimism acts as a rorschach test to the people around her, reflecting back their worst or best feelings about themselves. Poppy, whose natural impulse is to empathize, discovers she needs to draw boundaries between herself and a world that wants to interpret her cheerfulness in unintended ways. The result is a unique movie experience, one that defies conventional notions of what's dramatic yet grows more absorbing with every moment. Just as it's hard to imagine anyone liking Poppy at the start of Happy-Go-Lucky, it's hard to imagine that anyone doesn't care about her by the movie's end. --Bret FetzerAudio CD

When Happy Go Lucky! , a youn g quarter pony, is moved from his home to the stables at Big Apple Barn, endless adventures await him!

Happy Go Lucky is a young pony. He loves living with his mom at Shoemaker Stables! But when he's sent to help at a riding school called Big Apple Barn, everything in Happy's life changes.

Big Apple Barn is full of new adventures! Happy has never met other horses and ponies before. He has a lot to learn, and he misses his home. Will Happy Go Lucky find his place at Big Apple Barn?

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Boogie Woogie [Blu-ray]

• BOOGIE WOOGIE BLU-RAY (BLU-RAY DISC)

An all-star cast has wicked fun in skewering the pretentions and superficiality of the art world in this comic romp by director Duncan Ward. Emmy and Golden Globe winner Gillian Anderson (The X-Files) is a cougar on the prowl for a new boy-toy; Heather Graham (Boogie Nights, Austin Powers: The Spy Who Shagged Me) is an ambitious assistant who will do anything to advance her career; Tony winner Alan Cumming (X-Men 2) is a hapless dealer with too much decency for his own good; Danny Huston (Robin Hood, Clash Of The Titans) is a rapacious dealer; and the legendary Christopher Lee (The Lord Of The Rings trilogy) is the owner of the priceless work of art titled Boogie Woogie that they all circle with naked desire. Beauty may be in the eye of the beholder, but art ALWAYS has a price.The Infectious Rhythms of Boogie Woogie Piano were a Huge Influence on Rock and ! Roll, and Here We Present Original Masters Albert Ammons, Meade "Lux" Lewis, Pete Johnson, Clarence "Pine Top" Smith, Blind Leroy Garnett, Jimmy Yancey, Montana Taylor, and More.An all-star cast has wicked fun in skewering the pretentions and superficiality of the art world in this comic romp by director Duncan Ward. Emmy and Golden Globe winner Gillian Anderson (The X-Files) is a cougar on the prowl for a new boy-toy; Heather Graham (Boogie Nights, Austin Powers: The Spy Who Shagged Me) is an ambitious assistant who will do anything to advance her career; Tony winner Alan Cumming (X-Men 2) is a hapless dealer with too much decency for his own good; Danny Huston (Robin Hood, Clash Of The Titans) is a rapacious dealer; and the legendary Christopher Lee (The Lord Of The Rings trilogy) is the owner of the priceless work of art titled Boogie Woogie that they all circle with naked desire. Beauty may be in the eye of the beholder, but art ALWAYS has a price.

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Brothers of the Head

• Temple University alumni Keith Fulton and Louis Pepe (Lost in La Mancha) deliver their first fiction film, a mock-rock documentary about conjoined-twin rock stars in 1960s and 70s London. Format: DVD MOVIE Genre: DRAMA Rating: NR Age: 796019796620 UPC: 796019796620 Manufacturer No: 79662

A feverish, mind-bending pseudo documentary of conjoined twins Tom and Barry Howe who were plucked from obscurity to be groomed into a boy band. -Official Selection 2006 Los Angeles Film Festival, 2006 Tribeca Film Festival, 2006 South by Southwest Film Festival, 2005 Toronto Film Festival From acclaimed directors of Lost in La Mancha, Keith Fulton and Louis Pepe

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Beloved

• Toni Morrison
• Beloved
• paperback
• vintage
• 1400033411

(Book Jacket Status: Jacketed)

Winner of the Pulitzer Prize, Toni Morrison’s Beloved is a spellbinding and dazzlingly innovative portrait of a woman haunted by the past.

Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has borne the unthinkable and not gone mad, yet she is still held captive by memories of Sweet Home, the beautiful farm where so many hideous things happened. Meanwhile Sethe’s house has long been troubled by the angry, destructive ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved.

Sethe works at beating back the past, but it makes itself heard and felt incessantly in her memory and in the lives of those around her. When a mysterious teenage girl arrives, calling he! rself Beloved, Sethe’s terrible secret explodes into the present.

Combining the visionary power of legend with the unassailable truth of history, Morrison’s unforgettable novel is one of the great and enduring works of American literature.In the troubled years following the Civil War, the spirit of a murdered child haunts the Ohio home of a former slave. This angry, destructive ghost breaks mirrors, leaves its fingerprints in cake icing, and generally makes life difficult for Sethe and her family; nevertheless, the woman finds the haunting oddly comforting for the spirit is that of her own dead baby, never named, thought of only as Beloved.

A dead child, a runaway slave, a terrible secret--these are the central concerns of Toni Morrison's Pulitzer Prize-winning Beloved. Morrison, a Nobel laureate, has written many fine novels, including Song of Solomon, The Bluest Eye, and Paradise--but Beloved is arguably her ! best. To modern readers, antebellum slavery is a subject so f! amiliar that it is almost impossible to render its horrors in a way that seems neither clichéd nor melodramatic. Rapes, beatings, murders, and mutilations are recounted here, but they belong to characters so precisely drawn that the tragedy remains individual, terrifying to us because it is terrifying to the sufferer. And Morrison is master of the telling detail: in the bit, for example, a punishing piece of headgear used to discipline recalcitrant slaves, she manages to encapsulate all of slavery's many cruelties into one apt symbol--a device that deprives its wearer of speech. "Days after it was taken out, goose fat was rubbed on the corners of the mouth but nothing to soothe the tongue or take the wildness out of the eye." Most importantly, the language here, while often lyrical, is never overheated. Even as she recalls the cruelties visited upon her while a slave, Sethe is evocative without being overemotional: "Add my husband to it, watching, above! me in the loft--hiding close by--the one place he thought no one would look for him, looking down on what I couldn't look at at all. And not stopping them--looking and letting it happen.... And if he was that broken then, then he is also and certainly dead now." Even the supernatural is treated as an ordinary fact of life: "Not a house in the country ain't packed to its rafters with some dead Negro's grief. We lucky this ghost is a baby," comments Sethe's mother-in-law.

Beloved is a dense, complex novel that yields up its secrets one by one. As Morrison takes us deeper into Sethe's history and her memories, the horrifying circumstances of her baby's death start to make terrible sense. And as past meets present in the shape of a mysterious young woman about the same age as Sethe's daughter would have been, the narrative builds inexorably to its powerful, painful conclusion. Beloved may well be the defining novel of slavery in America! , the one that all others will be measured by. --Alix Wilb! erSt aring unflinchingly into the abyss of slavery, this spellbinding novel transforms history into a story as powerful as Exodus and as intimate as a lullaby. Sethe, its protagonist, was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe’s new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. Filled with bitter poetry and suspense as taut as a rope, Beloved is a towering achievement.In the troubled years following the Civil War, the spirit of a murdered child haunts the Ohio home of a former slave. This angry, destructive ghost breaks mirrors, leaves its fingerprints in cake icing, and generally makes life difficult for Sethe and her family; nevertheless, the woman finds the haunting oddly comforting for the spirit is that of her own dead baby, never ! named, thought of only as Beloved.

A dead child, a runaway slave, a terrible secret--these are the central concerns of Toni Morrison's Pulitzer Prize-winning Beloved. Morrison, a Nobel laureate, has written many fine novels, including Song of Solomon, The Bluest Eye, and Paradise--but Beloved is arguably her best. To modern readers, antebellum slavery is a subject so familiar that it is almost impossible to render its horrors in a way that seems neither clichéd nor melodramatic. Rapes, beatings, murders, and mutilations are recounted here, but they belong to characters so precisely drawn that the tragedy remains individual, terrifying to us because it is terrifying to the sufferer. And Morrison is master of the telling detail: in the bit, for example, a punishing piece of headgear used to discipline recalcitrant slaves, she manages to encapsulate all of slavery's many cruelties into one apt symbol--a ! device that deprives its wearer of speech. "Days after it was ! taken o ut, goose fat was rubbed on the corners of the mouth but nothing to soothe the tongue or take the wildness out of the eye." Most importantly, the language here, while often lyrical, is never overheated. Even as she recalls the cruelties visited upon her while a slave, Sethe is evocative without being overemotional: "Add my husband to it, watching, above me in the loft--hiding close by--the one place he thought no one would look for him, looking down on what I couldn't look at at all. And not stopping them--looking and letting it happen.... And if he was that broken then, then he is also and certainly dead now." Even the supernatural is treated as an ordinary fact of life: "Not a house in the country ain't packed to its rafters with some dead Negro's grief. We lucky this ghost is a baby," comments Sethe's mother-in-law.

Beloved is a dense, complex novel that yields up its secrets one by one. As Morrison takes us deeper into Sethe's history and her mem! ories, the horrifying circumstances of her baby's death start to make terrible sense. And as past meets present in the shape of a mysterious young woman about the same age as Sethe's daughter would have been, the narrative builds inexorably to its powerful, painful conclusion. Beloved may well be the defining novel of slavery in America, the one that all others will be measured by. --Alix Wilber

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Hard Boiled [Blu-ray]

• HARD BOILED BLU-RAY (BLU-RAY DISC)

Chow Yun-Fat stars as one of the all-time toughest, coolest cops, who teams up with an undercover agent to bring down a ruthless gun smuggling ring. Features some of the most amazing action cinematography in film history.Masterful Hong Kong action director John Woo (The Killer, Face/Off) turns in this exciting and pyrotechnic tale of warring gangsters and shifting loyalties. Chow Yun-fat (The Replacement Killers) plays a take-no-prisoners cop on the trail of the triad, the Hong Kong Mafia, when his partner is killed during a gun battle. His guilt propels him into an all-out war against the gang, including an up-and-coming soldier in the mob (Tony Leung) who turns out to be an undercover cop. The two men must come to terms with their allegiance to the force and their loyalty to each other as they try to take down the gangsters. A stunning! feast of hyperbolic action sequences (including a climactic sequence in an entire hospital taken hostage), Hard-Boiled is a rare treat for fans of the action genre, with sequences as thrilling and intense as any ever committed to film. --Robert Lane

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Crossing Over

• CROSSING OVER (DVD MOVIE)

Harrison Ford (Indiana Jones films) is on a quest for justice as an immigrations agent investigating the case of a missing illegal. In a cross-fire of crime and bureaucracy, fraud and murder, he must race against time to try to save a family from becoming collateral damage in the fight for the American dream. Critics rave, “Harrison Ford is terrific. An engrossing, thoroughly entertaining movie with great performances from a first-rate ensemble cast” (Pete Hammond, Hollywood.com). Co-starring Ashley Judd (Twisted), Ray Liotta (Smokin’ Aces), Jim Sturgess (21), and Cliff Curtis (10,000 BC); Crossing Over will keep you riveted until the final mystery unfolds.

Stills from Crossing Over (Click for larger image)

!

The director of The Cooler tries a bigger canvas: Crossing Over is Wayne Kramer's take on nothing less than the vast subject of illegal immigration, coming at the topic from a dozen or so directions. Hefting the most star power is Harrison Ford, scurrying about as an L.A. Immigration and Customs officer whose conscience is sore from having trundled so many illegals back over the border--now he's worried about the child of a particularly vulnerable woman (Alice Braga). Cliff Curtis plays Ford's partner, an Iranian-American whose family ! is not as assimilated as his casual manner might suggest. There's a bit of pulp swagger in other sections of the picture, as Kramer tries to channel his inner Sam Fuller: for instance, an Immigration official (Ray Liotta at his piggiest) coerces an Australian actress (Alice Eve) into a sex-for-green-card affair, and an adolescent Arab-American girl (Summer Bishil, from Towelhead) gives a cheeky speech at school that puts her family under suspicion as possible terrorists. Other strands of this scenario aren't as urgent, as Ashley Judd dreams of adopting the African child she's tending, and Jim Sturgess (Across the Universe), as a British non-believer, tries to convince Immigration authorities of his commitment to working at a Jewish school. The movie's single best scene has him "auditioning" to convince a rabbi of his commitment to Judaism, a funny moment that also carries an echo of the history of Jewish exodus. The movie has a tendency to bash from one thing ! to the next, too neatly connecting its Crash-like plotl! ines, li ke a really spirited first draft of a better movie. --Robert Horton

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