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- BREAKFAST WITH SCOT (DVD MOVIE)
Thursday, November 17, 2011
Breakfast With Scot
Brother CS6000i Sew Advance Sew Affordable 60-Stitch Computerized Free-Arm Sewing Machine
- Free-arm computerized sewing machine; with 60 stitch functions, 7 styles of 1-step buttonholes, and variety of snap-on presser feet
- Computerized stitch selection on LCD screen; with auto threading, tension control dial, and auto-set drop-in bobbin
- 110-volt machine operated with either foot pedal or 1-touch button for start, stop, and reverse stitching; dual LED light
- Accessories include wide table accessory for quilting and more; hard cover case protects in storage
- Machine measures 9-3/4 inches wide by 9-3/5 inches deep by 12-1/2 inches high; limited 25-year warranty
Back to the Future: The Complete Trilogy (Widescreen Edition)
- Condition: Used, Very Good
- Format: DVD
- Anamorphic; Box set; Closed-captioned; Color; Dolby; DVD; Subtitled; Widescreen; NTSC
Critics and audiences didn't seem too happy with Back to the Future, Part II, the inventive, perhaps too! clever sequel. Director Zemeckis and cast bent over backwards! to add layers of time-travel complication, and while it surely exercises the brain it isn't necessarily funny in the same way that its predecessor was. It's well worth a visit, though, just to appreciate the imagination that went into it, particularly in a finale that has Marty watching his own actions from the first film. --Tom Keogh
Shot back-to-back with the second chapter in the trilogy, Back to the Future, Part III is less hectic than that film and has the same sweet spirit of the first, albeit in a whole new setting. This time, Marty ends up in the Old West of 1885, trying to prevent the death of mad scientist Christopher Lloyd at the hands of gunman Buford "Mad Dog" Tannen (Thomas F. Wilson, who had a recurring role as the bully Biff). Director Zemeckis successfully blends exciting special effects with the traditions of a Western and comes up with something original and fun. --Tom KeoghFrom the Academy Award-winning filmmakers Steven Spielberg and Rob! ert Zemeckis comes Back to the Future - the original, groundbreaking adventure that sparked one of the most successful trilogies ever! When teenager Marty McFly (Michael J. Fox) is blasted to 1955 in the DeLorean time machine created by the eccentric Doc Brown (Christopher Lloyd), he finds himself mixed up in a time-shattering chain reaction that could vaporize his future - and leave him trapped in the past. Powered by innovative special effects, unforgettable songs and non-stop action, Back to the Future is an unrivaled adventure that stands the test of time. Starring: Michael J. Fox, Christopher Lloyd, Lea Thompson, Thomas F. Wilson, Crispin Glover, Claudia Wells, Billy Zane, Casey Siemaszko Directed by: Robert ZemeckisDr. Emmett Brown: Then tell me, "future boy," who is president in the United States in 1985?
Marty McFly: Ronald Reagan.
Dr. Brown: Ronald Reagan? The actor?! Who's vice president? Jerry Lewis?
Filmmaker Robert Zemeckis topped his break! away hit Romancing the Stone with this joyous comedy wi! th a daz zling hook: what would it be like to meet your parents in their youth? Billed as a special-effects comedy, the imaginative film (the top box-office smash of 1985) has staying power because of the heart behind Zemeckis and Bob Gale's script. High schooler Marty McFly (Michael J. Fox, during the height of his TV success) is catapulted back to the '50s where he sees his parents in their teens, and accidentally changes the history of how Mom and Dad met. Filled with the humorous ideology of the '50s, filtered through the knowledge of the '80s (actor Ronald Reagan is president, ha!), the film comes off as a Twilight Zone episode written by Preston Sturges. Filled with memorable effects and two wonderfully off-key, perfectly cast performances: Christopher Lloyd as the crazy scientist who builds the time machine (a DeLorean luxury car) and Crispin Glover as Marty's geeky dad. Followed by two sequels. --Doug ThomasExperience theiComplete Trilogy!Presented by Steven Spi! elberg directed by Oscar® winner Robert Zemeckis and starring time travelers Michael J. Fox and Christopher Lloyd the phenomenally popular Back To The Future films literally changed the future of the adventure movie genre. Now this unprecedented Back To The Future DVD Trilogy immerses you in all the breathtaking action outrageous comedy and sheer moviemaking magic of one of the most brilliantly inventive wildly entertaining motion picture triumphs in Hollywood history!System Requirements:Starring: Michael J. Fox Christopher Lloyd Crispin Glover Elisabeth Shue and Lea Thompson. Directed By: Robert Zemeckis. Running Time: 344 Min. (Total) Color. These films are presented in "Widescreen" format. Copyright 2002 Universal.Format: DVD MOVIE Genre: COMEDY Rating: PG UPC: 025192212123 Manufacturer No: 61022121Filmmaker Robert Zemeckis topped his breakaway hit Romancing the Stone with Back to the Future, a joyous comedy with a dazzling hook: what would it be l! ike to meet your parents in their youth? Billed as a special-e! ffects c omedy, the imaginative film (the top box-office smash of 1985) has staying power because of the heart behind Zemeckis and Bob Gale's script. High schooler Marty McFly (Michael J. Fox, during the height of his TV success) is catapulted back to the '50s where he sees his parents in their teens, and accidentally changes the history of how Mom and Dad met. Filled with the humorous ideology of the '50s, filtered through the knowledge of the '80s (actor Ronald Reagan is president, ha!), the film comes off as a Twilight Zone episode written by Preston Sturges. Filled with memorable effects and two wonderfully off-key, perfectly cast performances: Christopher Lloyd as the crazy scientist who builds the time machine (a DeLorean luxury car) and Crispin Glover as Marty's geeky dad. --Doug Thomas
Critics and audiences didn't seem too happy with Back to the Future, Part II, the inventive, perhaps too clever sequel. Director Zemeckis and cast bent over backwards to! add layers of time-travel complication, and while it surely exercises the brain it isn't necessarily funny in the same way that its predecessor was. It's well worth a visit, though, just to appreciate the imagination that went into it, particularly in a finale that has Marty watching his own actions from the first film. --Tom Keogh
Shot back-to-back with the second chapter in the trilogy, Back to the Future, Part III is less hectic than that film and has the same sweet spirit of the first, albeit in a whole new setting. This time, Marty ends up in the Old West of 1885, trying to prevent the death of mad scientist Christopher Lloyd at the hands of gunman Buford "Mad Dog" Tannen (Thomas F. Wilson, who had a recurring role as the bully Biff). Director Zemeckis successfully blends exciting special effects with the traditions of a Western and comes up with something original and fun. --Tom Keogh
Happiness Runs Early Elementary/Level 1 Piano Duet
- Published by Faber Piano Adventures 6 Pages
- Piano Level Early Elementary/Level 1
- Arranger: Nancy Faber
It’s 2008. Jim Axelrodâ€"once among the most watched correspondents on network news and the! first television reporter to broadcast from Saddam International Airport in 2003â€"is covering the final stages of the race for the Democratic presidential nomination. He’s forty-five years old and thirty pounds overweight. He’s drinking too much, sleeping too little, and scarcely seeing his family. He’s just figured out that the industry that pulled him up the corporate ladder is imploding as he’s reaching for its final rungs. Then, out of the blue, Jim discovers his late father’s decades-old New York Marathon finish times. At forty-six, Bob Axelrod ran a 3:29:58. With everything else going on in his life, Jim sets himself a defining challenge: “Can I beat him?â€
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So begins a deeply felt, often hilarious, quixotic effort to run the 2009 New York Marathon. Along the way, Jim confronts his listing marriage, a career upset by the seismic changes going on throughout the television news industry, excruciatingly painful shin splints, and the w! orst-timed kidney stone possible. Looming over it all is the s! hadow of a loving father, who repeatedly lost his way in life but still has a lesson to impart.
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This is a book about a dead father’s challenge to a son at a crossroads, but, more than that, it is about the personal costs paid when ambition and talent are not enough to ensure success. Most fundamentally, though, it is a book about learning what it takes to be happy in your own skin.
It’s 2008. Jim Axelrodâ€"once among the most watched correspondents on network news and the first television reporter to broadcast from Saddam International Airport in 2003â€"is covering the final stages of the race for the Democratic presidential nomination. He’s forty-five years old and thirty pounds overweight. He’s drinking too much, sleeping too little, and scarcely seeing his family. He’s just figured out that the industry that pulled him up the corporate ladder is imploding as he’s reaching for its final rungs. Then, out of the blue! , Jim discovers his late father’s decades-old New York Marathon finish times. At forty-six, Bob Axelrod ran a 3:29:58. With everything else going on in his life, Jim sets himself a defining challenge: “Can I beat him?â€
Â
So begins a deeply felt, often hilarious, quixotic effort to run the 2009 New York Marathon. Along the way, Jim confronts his listing marriage, a career upset by the seismic changes going on throughout the television news industry, excruciatingly painful shin splints, and the worst-timed kidney stone possible. Looming over it all is the shadow of a loving father, who repeatedly lost his way in life but still has a lesson to impart.
Â
This is a book about a dead father’s challenge to a son at a crossroads, but, more than that, it is about the personal costs paid when ambition and talent are not enough to ensure success. Most fundamentally, though, it is a book about learning what it takes to be happy in your ! own skin.
It’s 2008. Jim Axe! lrodâ€"o nce among the most watched correspondents on network news and the first television reporter to broadcast from Saddam International Airport in 2003â€"is covering the final stages of the race for the Democratic presidential nomination. He’s forty-five years old and thirty pounds overweight. He’s drinking too much, sleeping too little, and scarcely seeing his family. He’s just figured out that the industry that pulled him up the corporate ladder is imploding as he’s reaching for its final rungs. Then, out of the blue, Jim discovers his late father’s decades-old New York Marathon finish times. At forty-six, Bob Axelrod ran a 3:29:58. With everything else going on in his life, Jim sets himself a defining challenge: “Can I beat him?â€
Â
So begins a deeply felt, often hilarious, quixotic effort to run the 2009 New York Marathon. Along the way, Jim confronts his listing marriage, a career upset by the seismic changes going on throughout the televisi! on news industry, excruciatingly painful shin splints, and the worst-timed kidney stone possible. Looming over it all is the shadow of a loving father, who repeatedly lost his way in life but still has a lesson to impart.
Â
This is a book about a dead father’s challenge to a son at a crossroads, but, more than that, it is about the personal costs paid when ambition and talent are not enough to ensure success. Most fundamentally, though, it is a book about learning what it takes to be happy in your own skin.
Reproduction poster of Happiness Runs printed on heavy card stock.
Students may just start singing this engaging melody and cheerful lyric. Legato and staccato touches are explored as both parts share melody and harmony.
Songs: Happiness Runs
Peltor 97069 President Hearing Protector
- Noise Reduction Rating of 26 dB
- Folds compactly for portability
- Liquid- and gel-filled cushions for comfort
- Lightweight--weighs only 8 ounces
- Adjustable folding headband
Cold Mountain : Widescreen Edition : 2 Disc Collectors Edt.
- Widescreen
- 2 Discs
In 1997, Charles Frazier’s debut novel Cold Mountain made publishing history when it sailed to the top of The New York Times best-seller list for sixty-one weeks, won numerous literary awards, including the National Book Award, and went on to sell over three million copies. Now, the beloved American epic returns, reissued by Grove Press to coincide with the publication of Frazier’s eagerly-anticipated second novel, Thirteen Moons. Sorely wounded ! and fatally disillusioned in the fighting at Petersburg, a Confederate soldier named Inman decides to walk back to his home in the Blue Ridge mountains to Ada, the woman he loves. His trek across the disintegrating South brings him into intimate and sometimes lethal converse with slaves and marauders, bounty hunters and witches, both helpful and malign. At the same time, the intrepid Ada is trying to revive her father’s derelict farm and learning to survive in a world where the old certainties have been swept away. As it interweaves their stories, Cold Mountain asserts itself as an authentic odyssey, hugely powerful, majestically lovely, and keenly moving.
This unabridged audio version of Cold Mountain, read by author Charles Frazier, deserves at least as much acclaim as the bestselling print edition, which won the National Book Award. The tale chronicles a Confederate army deserter's search for home and love in the last days of the Civil War.Mu! ch has been made of the story's homage to The Odyssey, ! the ori gins of which are found in an oral tradition. One can't help but hear echoes of Homer when listening to Frazier's soft, deliberate voice give life to his lyrical writing and to his understated, yet convincing rendering of the overwhelming events of war. Both Frazier's prose and reading are leisurely, recalling a slow foot pace. His delivery is uniquely suited to Innman's arduous, adventure-filled walk toward home and to the possibility of a reunion with Ada, the woman he loves. The author's reading does equal justice to Ada, who is being transformed by her struggle for survival on her father's farm. There is precious little dialogue, and Frazier makes no effort at acting out the characters.
One small irritation in the production is a beeping noise at the end of each side. Another minor complaint is that the tapes don't have individual boxes, which was perhaps an attempt to make the overall package appear more booklike. The recording does, however, make deft ! use of two brief musical interludes. In a subtle twist, the fiddle music that opens the first cassette, when repeated as an accompaniment to the epilogue, carries a bittersweet and unexpected resonance. By all means, forgive Random House Audio the tiny glitches, pass over that slender abridged version, and take home the real thing. This audiocassette is a journey that will leave few listeners unchanged by the experience. (Running time: 14.5 hours, 12 cassettes) --Naomi J. Cohn At the dawn of the civil war, the men of Cold Mountain, North Carolina, rush to join the confederate army. Ada (Kidman) has vowed to wait for Inman (Law), but as the war drags on and letters go unanswered, she must find the will to survive. At war's end, hearts will be dashed, dreams fulfilled and the strength of human spirit tested...but not broken! Directed by Academy Award winner Anthony Minghella (The English Patient).Freely adapted from Charles Frazier's beloved bestseller, Cold Mountain boasts an impeccable pedigree as a respect! able Civ il War love story, offering everything you'd want from a romantic epic except a resonant emotional core. Everything in this sweeping, Odyssean journey depends on believing in the instant love that ignites during a very brief encounter between genteel, city-bred preacher's daughter Ada (Nicole Kidman) and Confederate soldier Inman (Jude Law), who deserts the battlefield to return, weary and wounded, to Ada's inherited farm in the rural town of Cold Mountain, North Carolina. In an epic (but dramatically tenuous) case of absence making hearts grow fonder, Inman endures a treacherous hike fraught with danger (and populated by supporting players including Philip Seymour Hoffman, Natalie Portman, and others) while the struggling, inexperienced Ada is aided by the high-spirited Ruby (Renée Zellweger), forming a powerful farming partnership that transforms Ada into a strong, lovelorn survivor. The film's episodic structure slightly weakens its emotional impact, and it's fair! ly obvious that director Anthony Minghella is striving to repeat the prestigious romanticism of his Oscar®-winning hit The English Patient. For the most part it works, especially in the dynamic performances of Zellweger and Kidman, and the explosive 1864 battle of Petersburg, Virginia, is recreated with violent, percussive intensity. Those who admired Frazier's novel may regret some of the changes made in Minghella's adaptation (the ending is particularly altered), but Cold Mountain remains a high-class example of grand, old-fashioned filmmaking, boosted by star power of the highest order. --Jeff Shannon
This authoritative, bilingual edition represents the first time the entirety of Cold Mountain's poetry has been translated into English.
These translations were originally published by Copper Canyon Press nearly twenty years ago. Now, significantly revised and expanded, the collection also includes a new preface by the translator, Red Pin! e, whose accompanying notes are at once scholarly, accessible,! and ent ertaining. Also included for the first time are poems by two of Cold Mountain's colleagues.
Legendary for his clarity, directness, and lack of pretension, the eight-century hermit-poet Cold Mountain (Han Shan) is a major figure in the history of Chinese literature and has been a profound influence on writers and readers worldwide. Writers such as Charles Frazier and Gary Snyder studied his poetry, and Jack Kerouac's Dharma Bums is dedicated "to Han Shan."
1.B
storied cliffs were the fortune I cast
bird trails beyond human tracks
what surrounds my yard
white clouds nesting dark rocks
I've lived here quite a few years
and always seen the spring-water change
tell those people with tripods and bells
empty names are no damn good
71.
someone sits in a mountain gorge
cloud robe sunset tassels
handful of fragrances he'd share
the road is long and hard
regretful and doubtful!
old and unaccomplished
the crowd calls him crippled
he stands alone steadfast
205.
my place is on Cold Mountain
perched on a cliff beyond the circuit of affliction
images leave no trace when they vanish
I roam the whole galaxy from here
lights and shadows flash across my mind
not one dharma comes before me
since I found the magic pearl
I can go anywhere everywhere it's perfect
Cold Mountain
A mountain man lives under thatch
before his gate carts and horses are rare
the forest is quiet but partial to birds
the streams are wide and home to fish
with his son he picks wild fruit
with his wife he hoes between rocks
what does he have at home
a shelf full of nothing but books
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Charles Frazier puts his remarkable gifts in the service of a lean, taut narrative while losing none of the transcendent prose, virtuosic storytelling, and insight into human nature that have made him one of the most beloved and celebrated authors in the world. Now, with his brilliant portrait of Luce, a young woman who inherits her murdered sister’s troubled twins, Frazier has created his most memorable heroine.
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Before the children, Luce was content with the reimbursements of the rich Appalachian landscape, choosing to live apart from the small community around her. But the coming of the children changes everything, cracking open her solitary life in difficult, hopeful, dangerous ways.
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Charles Frazier is known for his historical literary odysseys, and for making ! figures in the past come vividly to life. Set in the twentieth century, Nightwoods resonates with the timelessness of a great work of art.Amazon Best Books of the Month, October 2011: A woman living in an abandoned rural lodge is suddenly forced to raise her dead sister's two wild young children. Neither of them has spoken a word since witnessing their mother's brutal murder, and they’ve developed a fondness for breaking things and starting fires. These mute, trouble-making kids are among Charles Frazier’s finest characters. And when their ne'er-do-well father is acquitted and released from jail, the action in this lush and lively novel flares. With sharp dialogue, unexpected humor, and a powerful ability to depict the scents and sounds of loamy Carolina backwoods, while toying with fire and water as his themes, Frazier has crafted an impressive story, proving that Cold Mountain was no fluke. --Neal Thompson
! A Letter from Author Charles Frazier
 |
Named ONE OF THE BEST BOOKS OF THE YEAR by
Los Angeles Times Book Review, Chicago Tribune,
and St. Louis Post-Dispatch
“A literary journey of magnitude . . . Thirteen Moons belongs to the ages.â€
â€"Los Angeles Times
“A boisterous, confident novel that draws from the epic tradition: It tips its hat to Don Quixote as well as Twain and Melville, and it boldly sets out to capture a broad swatch of America’s story in the mid-nineteenth century.â€
â€"The Boston Globe
“Frazier works on an epic scale, but his genius is in the detailsâ€"he has a scholar’s command of the physical realities of ea! rly America and a novelist’s gift for bringing them to life.! â€
< i>â€"Time
“A powerhouse second act . . . a brilliant success.â€
â€"The Atlanta Journal-Constitution
“Compulsively readable . . . a fitting successor to Cold Mountain.â€
â€"St. Louis Post-Dispatch
“Magical . . . fascinating and moving . . . You will find much to admire and savor in Thirteen Moons.â€
â€"USA Today
“Genius.â€
â€"Time
“Mesmerizing . . . a bountiful literary panorama . . . The history that Frazier hauntingly unwinds through Will is as melodic as it is melancholy, but the sublime love story is the narrative’s true heart.â€
â€"Publishers Weekly (starred review)
“Brimming with vivid, adventurous incident.â€
â€"Raleigh News & Observer
“Reading a Frazier novel is like listening to a fine symphony. . . . Take the time to savor Frazier’s work, to take in each thought, to relish the turn of phrase or the imagery of a craftsman.â€
â€"The! Denver Post
“[Four stars] . . . Commanding . . . Frazier’s faithful will not be disappointed.â€
â€"People
“Superbly entertaining.â€
â€"Richmond Times-Dispatch
“Fascinating . . . vivid and alive.â€
â€"Newsweek DVD
Ace Ventura Deluxe Double Feature (Pet Detective / When Nature Calls)
- Actors: Jim Carrey, Courteney Cox, Sean Young, Tone Loc, Dan Marino.
- Format: Widescreen, DVD, NTSC.
- Language: English (Dolby Digital 5.1), English (DTS 5.1). Subtitles: English, Spanish, French.
- Region: Region 1 (U.S. and Canada only).
- Rated PG-13. Run Time: 250 minutes.
DVD Features:
TV Spot
Theatrical Trailer
TV Spot
Theatrical Trailer
Ace Ventura: Pet Detective was the 1994 box-office hit that turned comedy maniac Jim Carrey into Hollywood's first $20-million man. This gag-filled! no-brainer stars Carrey as the titular rubber-faced gumshoe w! ho track s down lost pets for his heartbroken clients. Ace's latest case involves the apparent kidnapping of the Miami Dolphins' team mascot, Snowflake the dolphin (natch), and his investigation is a source of constant irritation for Miami police lieutenant Lois Einhorn (Sean Young). Friends fans will appreciate the presence of Courtney Cox, who remains admirably straight-faced as the Dolphins' publicist and Ace's would-be girlfriend, but of course it's Carrey who steals the show with shameless abandon. --Jeff Shannon
In When Nature Calls, the inevitable sequel, the disappearance of a rare African white bat, draws Ace (Carrey again) out of his spiritual retreat at a Tibetan monastery following the tragic outcome of his previous case. That traumatic experience, which makes for a hilarious opening-scene send-up of the Stallone thriller Cliffhanger, prompts Ace to venture to Africa, where he goes native with the tribe that hired him to find their symbolic! bat. From that point anything goes, with Carrey pushing the boundaries of good taste (what, you were expecting good taste?) up to and including his now-infamous "birth" scene from the backside of a mechanical rhinoceros. Lighten up, and don't be ashamed if you find yourself laughing. --Jeff Shannon
