Capitalism: A Love Story

• In presenting a fireball of a movie that might change your life (Peter Travers, Rolling Stone), Moore skewers both major political parties (Claudia Puig, USA Today) for selling out the millions of people devastated by loss of homes and jobs to the interests of fat cat capitalists. Moore has dug up some astonishing dirt (Brian D. Johnson, Macleans), stories told in the faces of the foreclosed and e

In presenting a “fireball of a movie that might change your life” (Peter Travers, Rolling Stone), Moore “skewers both major political parties” (Claudia Puig, USA Today) for selling out the millions of people devastated by loss of homes and jobs to the interests of fat cat capitalists. Moore has “dug up some astonishing dirt” (Brian D. Johnson, Macleans), stories told in the faces of the foreclosed and evicted, in the food stamps received by hungry airline pilots, and in the courage of fi! red factory workers who refuse to go quietly. But more than a cry of despair, Moore’s film raises the possibility of hope. Capitalism: A Love Story is “The most American of films since the populist cinema of Frank Capra (It’s a Wonderful Life)” (Dan Siegel, Huffington Post ), “a movie that manages shrewdly, even brilliantly, to capitalize on the populist anger that has been sweeping the nation” (Joe Morgenstern, Wall Street Journal ). Capitalism: A Love Story is loaded with over 90 minutes of hilarious extended and deleted scenes, as well as exciting and informative featurettes profiling Americans and American businesses!Michael Moore's didactic documentary style is actually a source of inspiration in Capitalism: A Love Story. This film, which explores the history of incongruence between American capitalism and democracy, is evidently a culmination of Moore's lifetime of research into this topic: he begins the movie by admitting his longstanding interes! t, rooted in childhood experiences in Flint, Michigan. As a re! sult, th e film displays an expertise that is less irritating than in Moore's earlier works, in which various loopholes can be found in one-sided presentations (see Bowling for Columbine). Here Moore employs his trademark tactics to make a satirical documentary that functions as a film-based, grassroots political strategy meant to provoke revolt. Consisting of patched-together clips from various eras and media outlets, the film weaves a narrative that underscores Moore's argument that while America is a success because of its democracy, it has been denigrated by capitalism, which he calls "a system of taking and giving, mostly taking." Capitalism: A Love Story is a patriotic call to arms that seeks to ignite rage in the viewer who is tired of political stupidity resulting in poverty and hardship among a dwindling middle class. It begins by tracing the growing gap between the rich and poor, from the Depression through the 1950s "free enterprise" boom. Using clips of ! FDR and Jimmy Carter warning against greed and inequality, Moore shows how gradually Americans came to accept Reaganomics, corporate corruption, then Bush-era swindling over time. This history serves as context for his explanation of the housing crisis, the collapse of banks, and Bush's covert, last-ditch efforts to pass sketchy bills on the cusp of Obama's election. Moore asks several lawyers, senators, and bankers, "What the **** happened?" and each offers intelligent assessments of situations that many American viewers still struggle to comprehend. Unfortunately, there are corny Moore moments throughout the film, such as when he takes an armored truck to various banking headquarters and harasses security guards to let him in to reclaim money stolen from the American public. Clips of Bush dancing juxtaposed with shots of people crying because they've lost their homes are melodramatic and only weaken Moore's arguments. Like Robin Hood, Moore seeks justice, but his greatest! strength is as a translator between those speaking a complex ! politica l language and his viewers. Capitalism: A Love Story, while it does have a condescending tone throughout, does much to relay a complicated history that we all need to know for the sake of our own empowerment. --Trinie Dalton

Stills from Capitalism: A Love Story (Click for larger image)

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Ginger Snaps II: Unleashed 27x40 FRAMED Movie Poster

• High quality framed art print
• Two inch wide black wood frame
• In stock and ready to frame and ship
• Custom packed for safe delivery
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GINGER SNAPS 2:UNLEASHED - DVD MoviePlease note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Commentary (films not included). Pages: 22. Chapters: The Searchers, The Assassination of Jesse James by the Coward Robert Ford, Ginger Snaps 2: Unleashed, Hello Mary Lou: Prom Night II, Good Luck Chuck, The Edge, Ginger Snaps Back, Humko Deewana Kar Gaye, Santa's Slay, Bridge to Terabithia, Snow Day, Intern Academy, Small Sacrifices, Fast Company, Bekhudi, The Christmas Blessing, Angel Square, Bye Bye Blues, Purple Gas. Excerpt: The Assassination of Jesse James by the Coward Robert Ford (often shortened to The Assassination of Jesse James or simply! as Jesse James) is a 2007 American Western drama film. The film is directed by Andrew Dominik, with Brad Pitt portraying Jesse James and Casey Affleck as his killer, Robert Ford. Filming took place in rural Alberta and Winnipeg, Manitoba. Initially intended for a 2006 release, it was postponed and re-edited for a September 21, 2007 release. An adaptation of Ron Hansen's 1983 novel of the same name, the film dramatizes the relationship between James and Ford. This is Pitt's and Affleck's first collaboration outside of the Ocean's trilogy. The film was adapted from Ron Hansen's 1983 novel of the same name. Unlike Jesse James movies of the past, Andrew Dominik's film is presented as a psychoanalytical historical epic rather than a shoot-'em-up western. The movie details the outlaw's deteriorating psyche during his final months of life as he slowly succumbs to paranoia and develops a precarious friendship with his eventual assassin, Robert Ford. The strange relationship betwee! n the two men is examined over the course of the film. Peter B! radshaw' s review in The Guardian makes note of James's contribution to his own demise as well as the apparent paradox present in the title of both novel and film: As his career draws to an end, Jesse James becomes aware of the impossibility of facing an increasin...GINGER SNAPS BACK:BEGINNING - DVD Movie

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Away We Go

• Condition: New
• Format: DVD
• AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC

Writer/Director Zach Braff delivers "an Oscar®-worthy performance" (CBS-TV Chicago) opposite a "wacky and endearing" (Newsweek) Natalie Portman in this quirky, coming-of-age comedy. Twentysomething, emotionally detached Andrew "Large" Largeman (Braff) hasn’t been home to New Jersey in nine years. Now, as Large attempts to re-connect with a variety of odd acquaintances â€" including his father â€" he decides to risk getting high on the most potent and unpredictable drug there is…life! Co-starring Peter Sarsgaard, Ian Holm and Method Man, Garden State is "marvelous fun" (Rolling Stone)Zach Braff (from the TV show Scrubs) stars in his writing/directing debut, Garden State--normally a doomed act of hubris, but Braff pulls it off with unassuming charm. An emotionally numb acto! r in L.A., Andrew (Braff) comes back to New Jersey after nine years away for his mother's funeral. Andrew avoids his bitter father (Ian Holm, The Sweet Hereafter) and joins old friends (including the superb Peter Sarsgaard, Boys Don't Cry) in a round of parties. Along the way he meets a girl (Natalie Portman, Beautiful Girls) with demons of her own; bit by bit the two offer each other a little healing. Plotwise, Garden State is familiar stuff, a cross between The Graduate and a Meg Ryan movie, but Braff has an eye for goofy but resonant visual images, an ear for lively dialogue, and a great cast. The result is surprisingly fresh and funny. --Bret FetzerStudio: Tcfhe Release Date: 03/02/2010GARDEN STATE/MY & YOU & EVERYONE WE K - DVD MovieJohn Krasinski (The Office) and Maya Rudolph (Saturday Night Live) star in the heartfelt film that explores the comedic twists and turns in one couple’s journey across contemporary America. Ant! icipating the birth of their first child, longtime couple Burt! (Krasin ski) and Verona (Rudolph) embark on an ambitious itinerary to visit friends and family in order to find their perfect home. Featuring a remarkable soundtrack and an incredible ensemble cast â€" including Jeff Daniels, Allison Janney, Maggie Gyllenhaal, Catherine O’Hara and Jim Gaffigan. It’s the hilarious, witty film that critics are hailing as “absolutely extraordinary!” (Peter Travers, Rolling Stone)Away We Go has an incredible mix of ingredients: A script co-written by Dave Eggers (author of A Heartbreaking Work of Staggering Genius), directed by Sam Mendes (American Beauty, Revolutionary Road), starring the not-hugely-famous-but-always-excellent Maya Rudolph (Saturday Night Live) and John Krasinski (The Office), and featuring an astounding supporting cast that includes Catherine O’Hara, Maggie Gyllenhaal, Jeff Daniels, Allison Janney, Jim Gaffigan, and more. What’s even more incredible is that all these ingredients bl! end together into a truly marvelous but very non-traditional romantic comedy. For one thing, Burt (Krasinski) and Verona (Rudolph) are already a couple and expecting their first child. What they don’t know is where they’re going to live--so they set off on a tour of disparate locations (Tucson, Montreal, Miami) where they have friends or relatives, sampling not only different cities and climates but also different families. The social and emotional collisions that follow are sometimes very funny and sometimes heartwrenching. Away We Go starts quietly and, through subtle yet consistently delightful scenes, builds to a surprisingly potent end. This is a gem of a movie, not to be missed. --Bret Fetzer

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Across the Universe (Two-Disc Special Edition)

• Condition: Used, Very Good
• Format: DVD
• Anamorphic; NTSC

Across the Universe, from director Julie Taymor, is a revolutionary rock musical that re-imagines America in the turbulent late-1960s, a time when battle lines were being drawn at home and abroad. When young dockworker Jude (Jim Sturgess) leaves Liverpool to find his estranged father in America, he is swept up by the waves of change that are re-shaping the nation. Jude falls in love with Lucy (Evan Rachel Wood), a rich but sheltered American girl who joins the growing anti-war movement in New York's Greenwich Village. As the body count in Vietnam rises, political tensions at home spiral out of control and the star-crossed lovers find themselves in a psychedelic world gone mad. With a cameo by Bono, Across the Universe is "the kind of movie you watch again, like listening to a favorite album." (Roger Ebert, C! hicago Sun-Times)Set in America during the Vietnam War, Across the Universe is a powerful love story set against a backdrop of political and social unrest: it's a story of soul-searching, self-doubt, and individual powerlessness cleverly conveyed through a multitude of Beatles songs. Like young adults all across America during the 1960's, Jude (Jim Sturgess), Lucy (Evan Rachel Wood), Max (Joe Anderson), Sadie (Dana Fuchs), Prudence (T.V. Carpio), and JoJo (Martin Luther) are in turmoil over the war; questioning their individual roles in the war effort and struggling to find a way to hold true to their beliefs while making a difference in the world. While love proves a powerful uniting force, its limitations become clear as relationships are strained and broken over individual perceptions of responsibility to cause and country. A fairly bizarre juxtaposition of extremely stylized, almost hallucinogenic scenes of swirling colors and reflections, highly choreogra! phed dance segments, seemingly commonplace character interacti! on, and emotionally packed close-up footage of characters lost in contemplative song, this film imparts a good sense of the confusion and passion of the time and is at once powerful, invigorating, and disturbing. The film runs a bit long at 2-hours 11-minutes and several segments drag noticeably thanks to some incredibly slow song tempos. Warning: this production may change how you think about a favorite Beatles song forever. --Tami Horiuchi

Beyond Across the Universe

On Blu-ray

The Deluxe Soundtrack

Beatles audio CD

Stills from Across the Universe (click for larger image)

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Barbie Pink 3-Story Dream Townhouse

• Include a pink personal elevator, and lights and sounds on every level!
• Roaring fireplace and pop up flat screen tv
• Ultra-luxurious Barbie signature bathroom
• Charming light-up tiki lights and outdoor whirlpool tub
• Sounds include doorbell, kitchen timer, crackling fireplace, shower humming, and flushing toilet.

DREAM HOME - DVD MovieCharlie Tor finds the perfect house for his soon-to-be family of three. Lots of room, a huge yard for his adopted daughter to play in, and an incredibly low asking price.

While waiting for his wife and daughter to arrive from Cambodia, Charlie handles all the tasks of moving into the new house, alone. As he gets to know some of his neighbors, and spends time exploring his surroundings, Charlie discovers he may have gotten more than he bargained for.
Charlie Tor finds the perfect house for his soon-to-be family of thr! ee. Lots of room, a huge yard for his adopted daughter to play in, and an incredibly low asking price.

While waiting for his wife and daughter to arrive from Cambodia, Charlie handles all the tasks of moving into the new house, alone. As he gets to know some of his neighbors, and spends time exploring his surroundings, Charlie discovers he may have gotten more than he bargained for.
It would seem a foregone conclusion that a stellar cast of actors, led by real-life marrieds Daniel Craig and Rachel Weisz, and an Academy Award-nominated director like Jim Sheridan (In America), should be able to breathe life into a by-the-books psychological thriller like Dream House, even with its airy supernatural overtones. But their combined talents, along with that of Naomi Watts and the always welcome Elias Koteas, cannot save the film's moribund plot, which asks viewers to believe that the storyboard life of family man Craig is actually a delusion in the mind of! a psychotic (also Craig) who has butchered his wife (Weisz) a! nd child ren. Such a notion wouldn't pass muster as a basic cable feature, though all concerned do their best to seem invested in the proceedings. Craig and Weisz share the screen well, and while Watts is wasted as a nosy neighbor, the supporting cast, which includes Jane Alexander, Marton Csokas, and Gregory Smith, do their share of heavy lifting. But the film's extensive behind-the-scenes troubles--to wit, battles between Sheridan and production company Morgan Creek, which precipitated Sheridan's attempt to remove his name from the picture, while Craig and Weisz refused to promote it--as well as its notoriously spoiler-heavy trailer leave Dream House feeling a bit on the spoiled side, with only devotees of the leads or truly starved horror fans among its possible viewers. --Paul GaitaEnter the world of Barbie! These three stories of fabulousness include a pink personal elevator plus lights & sounds on every level! Enter through the front door to a warm and glowing lig! ht-up chandelier, dining area and fully-stocked kitchen. Entertain in the second-level living room with roaring fireplace and pop up flat screen TV, plus an ultra-luxurious Barbie signature bathroom. On the third floor is a posh bedroom suite with canopy bed and balcony with charming light-up tiki lights & outdoor whirlpool tub! Sounds include doorbell, kitchen timer, crackling fireplace, shower humming, and flushing toilet. (Doll not included.)Be a part of Barbie's luxurious lifestyle in her new 3-Story Dream Townhouse. Designed for ages three and up, the Dream Townhouse stands over three feet tall and comes fully furnished -- including lights and sounds on each level! Your child will enjoy having role-playing adventures with Barbie and her friends in this fancy new townhouse.

At a Glance Ages: 3+ Requires: 3 "AA" batteries (not included) Phillips screwdriver Adult assembly

What We Think ! Fun factor: Durability: Ease of assembly: Educational factor: Novelty factor: The Good: Great new Dream Townhouse for the Barbie lover in your home. The Challenging: Many of the elevator parts are similar and can be confusing. In a Nutshell: Fun, new Barbie dream home with plenty of lights, sounds, and activities.

The Dream Townhouse is over three feet in height and comes with over 55 pieces and accessories. View larger.
Real Sounds and Lights
Barbie's Dream Townhouse is decorated throughout in classic Barbie pink, with lifelike intricate details, lights, and sounds. With over 55 pieces and accessories, the house has five fully furnished, deluxe rooms with chandeliers, tiki lights, a fireplace, and a refrigerator that all light up. Sounds include Barbie "humming" in the shower, the kitchen timer, the doorbell, the fireplace crackling, or the toilet flushing.

Along with the realistic lights and sounds, the townhouse also features a pink, personal elevator -- which easily moves from floor to floor with a p! ull string, and an outdoor spa area with a whirlpool tub and light-up tiki lamps.

Besides the whirlpool, Barbie can entertain her friends by cooking something in the fully stocked kitchen, watching a movie on her pop-up flat-screen TV, or even just snuggling up by the warm, crackling fireplace.

Hours of Interactive, Role-playing Fun
Barbie's 3-Story Dream Townhouse is the play-set for the Barbie lover in your home. The townhouse provides a setting for interactive, role-playing adventures, and includes everything Barbie could need to entertain her guests, or have a quiet night at home by the fire. Your child will love pulling the elevator to each floor, filling up the whirlpool for pool parties, and playing with all of the realistic lights and sounds.

As a side note: While assembling the townhouse, be sure to follow the directions for the elevator carefully, since the parts look similar and could be confusing.

What's in the Box
House pie! ces, stickers, and over 55 pieces and accessories. (Batteries ! not incl uded.)

Fall asleep in the luxurious master bedroom... View larger.

...or take a dip in the working jacuzzi. View larger.

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Gone in 60 Seconds [Blu-ray]

• GONE IN 60 SECONDS (BLU-RAY DISC)

Academy Award(R)-winners Nicolas Cage (1996 Best Actor, LEAVING LAS VEGAS; ADAPTATION, MATCHSTICK MEN) and sexy Angelina Jolie (1999 Best Supporting Actress, GIRL INTERRUPTED; LARA CROFT TOMB RAIDER) ride an unstoppable wave of speed and adrenaline in this hot, egdy action hit from high-octane producer Jerry Bruckheimer (PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL, PEARL HARBOR). Legendary car booster Randall "Memphis" Raines (Cage) thought he'd left the fast lane behind -- until he's forced out of retirement in a do-or-die effort to save his kid brother (Giovanni Ribisi, LOST IN TRANSLATION, TV's FRIENDS) from the wrath of an evil mobster! But with speed to burn and attitude to spare, Memphis hastily reassembles his old crew -- a rogues' gallery including Academy Award-winner Robert Duvall (1983 Best Actor, TENDER MERCIES; OPEN RANGE) -- and floor! s it in a full-throttle race to pull off the ulimate car heist: 50 exotic beauties in 24 hours -- and the cops are already on to them! Directed by Dominic Sena and written by Scott Rosenberg, GONE IN 60 SECONDS is an action-packed thrill ride that comes out fast and never slows down.Kip Raines (Giovanni Ribisi) is a cocky young car thief working with a crew to steal 50 cars for a very bad man whose nickname is "The Carpenter." Being young and cocky, Kip messes up, so it's up to his big brother, Randall "Memphis" Raines (Nicolas Cage), to come out of car thief retirement and save him. With a cast that includes Robert Duvall, Angelina Jolie, Delroy Lindo, Cage, and Ribisi, it would be easy to say this story wastes all their talents--which it does, but that's not the point. This is a Jerry Bruckheimer film. A good story and complex characters would only get in the way of the action scenes and slow the movie down. No, Gone in 60 Seconds (based on the cult 1974 film of ! the same name) is not about the stars as much as it's about ca! rs. Fast cars. Rare cars. Wrecked cars. All cars. Too bad director Dominic Sena (Kalifornia) doesn't come across as more of a gearhead; he seems less interested in fast cars than fast cuts. But is this movie fun? Absolutely, and it's fun because it's so stupid. With pointless car chases and hackneyed dialogue in one of the most predictable plots of the year, Gone in 60 Seconds is a comic film that's not quite a parody of itself, but darn close. --Andy SpletzerFasten your seat belts for the ride of your life as Jerry Bruckheimer's high-octane hit reaches a new gear in a revolutionary high-definition format. Nicolas Cage and Angelina Jolie go full throttle as they try to pull off the ultimate heist -- 50 exotic cars in 24 hours! The action revs up like never before on Blu-ray disc. Experience every jaw-dropping chase scene in stunning 1080p. Feel the screech of the tires and the roar of the engines presented in 5.1 48 kHz, 24-bit uncompressed audio.! Enjoy GONE IN 60 SECONDS like never before -- with a pristine high-definition picture and theater-quality sound.Kip Raines (Giovanni Ribisi) is a cocky young car thief working with a crew to steal 50 cars for a very bad man whose nickname is "The Carpenter." Being young and cocky, Kip messes up, so it's up to his big brother, Randall "Memphis" Raines (Nicolas Cage), to come out of car thief retirement and save him. With a cast that includes Robert Duvall, Angelina Jolie, Delroy Lindo, Cage, and Ribisi, it would be easy to say this story wastes all their talents--which it does, but that's not the point. This is a Jerry Bruckheimer film. A good story and complex characters would only get in the way of the action scenes and slow the movie down. No, Gone in 60 Seconds (based on the cult 1974 film of the same name) is not about the stars as much as it's about cars. Fast cars. Rare cars. Wrecked cars. All cars. Too bad director Dominic Sena (Kalifornia) doesn't com! e across as more of a gearhead; he seems less interested in fa! st cars than fast cuts. But is this movie fun? Absolutely, and it's fun because it's so stupid. With pointless car chases and hackneyed dialogue in one of the most predictable plots of the year, Gone in 60 Seconds is a comic film that's not quite a parody of itself, but darn close. --Andy Spletzer

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Goetze's Caramel Creams, 16 Oz.

• Sold in 1 pound bags

Individually wrapped vanilla caramel squares by the Ferrara Pan company. Approx 68 pieces per pound.Original Goetze's Caramel Creams

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April's Shower

• Trish Doolan s debut feature is a charming comedy that questions how far one would go for true love. On the morning of April s wedding shower, we meet Alex (Trish Doolan), a chef put out by her attempt to host the perfect shower while struggling with her tangled relationship with the bride-to-be. One by one, eclectic guests trickle into Alex s house, bringing their own hilarious insecurities and p

A look inside a tragedy through the eyes of a survivor. Based on actual events, April Showers is about picking up the pieces in the direct aftermath of school violence. Set in a middle class suburban neighborhood, April Showers focuses on the lives of a handful of teachers and students as they attempt to make sense of a world that has just been turned upside down by one of their own. With the community and an entire nation caught up in the 'story', the students of Jefferson High must turn to one ano! ther for answers. In the wake atrocity, the rifts caused by misinformation and a frenzied media prove difficult to overcome. Lost and lonely under the international spotlight, one young man navigates his way through his almost indiscernible home. From quaint suburban town to battlefield turned media circus, Jefferson High provides the backdrop for Sean's struggle to cope with the loss of his friend April. [US Import, NTSC Region 1]There has never been an April shower like this one. From first page to last, the rhythmic prose and the hilarious dancing frogs invite young readers to join in the fun. Rain or shine, its a joyous romp any day of the year. Watercolor illustrations.Trish Doolan's debut feature is a charming comedy that questions how far one would go for true love. On the morning of April's wedding shower, we meet Alex (Trish Doolan), a chef put out by her attempt to host the perfect shower while struggling with her tangled relationship with the bride-to-be. One ! by one, eclectic guests trickle into Alex's house, bringing th! eir own hilarious insecurities and peculiar life situations with them. When bride-to-be April arrives, it becomes clear that the secret Alex is hiding will affect the course of her life, and the future of almost everyone at the shower.

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