Holy Smokes (Aisling Grey, Guardian, Book 4)

• ISBN13: 9780451222541
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

North Carolina is home to the longest continuous barbecue tradition on the North American mainland. Authoritative, spirited, and opinionated (in the best way), Holy Smoke is a passionate exploration of the lore, recipes, traditions, and people who have helped shape North Carolina's signature slow-food dish.

Three barbecue devotees, John Shelton Reed, Dale Volberg Reed, and William McKinney, trace the origins of North Carolina 'cue and the emergence of the heated rivalry between Eastern and Piedmont styles. They provide detailed instructions for cooking barbecue at home, along with recipes for the traditional array of side dishes that should accompany it. The final section of the book presents! some of the people who cook barbecue for a living, recording firsthand what experts say about the past and future of North Carolina barbecue.

Filled with historic and contemporary photographs showing centuries of North Carolina's "barbeculture," as the authors call it, Holy Smoke is one of a kind, offering a comprehensive exploration of the Tar Heel barbecue tradition.Kate Winslet (TITANIC, SENSE AND SENSIBILITY) and Harvey Keitel (U-571, PULP FICTION) add scintillating performances to a seductive, darkly hilarious motion picture that's met with overwhelming critical acclaim! While on a journey of discovery in exotic India, beautiful young Ruth Barroin (Winslet) falls under the influence of a charismatic religious guru. Her desperate parents then hire PJ Waters (Keitel), a macho cult deprogrammer, who confronts Ruth in a remote desert hideaway. But PJ quickly learns that he's met his match in the sexy, intelligent, and iron-willed Ruth! Another memorable motion pi! cture directed by Academy Award(R)-winner Jane Campion -- you'! ll feel an undeniable comic charge from the sparks that fly as PJ and Ruth face off in an electric battle of the sexes.Aussie director Jane Campion's one of a kind. Forget money and fame; she's inspired by the pleasure of sharing her cinematic dreams with friends and film audiences. Her globetrotting heroines (Angel at My Table, The Piano, Portrait of a Lady) may be willful, crazed, self-absorbed, wrong--but who can resist joining these passionate women on their voyages of self-discovery, whether they lead to safe harbor or dead end?

Holy Smoke opens deliriously in a magical India, saturated with light, color, sensuality. Celebrated by Neil Diamond's anthem, "Holly Holy," Ruth Baron (Kate Winslet, delivering a breathtakingly luminous performance) explores a world that encourages spiritual epiphany--and falls hard for the cartoonish guru who opens her "third eye." Back home in Australia, her hilariously dysfunctional, distinctly down-to-earth family hir! es hotshot deprogrammer PJ Waters (Harvey Keitel, his dyed hair and cowboy boots telegraphing desperate machismo) to cure Ruth. In an isolated Outback shack, Campion's duo wrestle each other for control of their souls--and bodies, too. This duel's in deadly earnest: Ruth assaults Waters's petrified masculinity; PJ aims to strip this radiant girl of her unexamined faith.

Their wild ride--funny, brutal, erotic--toward brand-new selfhood is punctuated by indelible images: Ruth dancing in a white sari beside an emu corral; naked in the night, Ruth offering her lush body to her tormentor; lost in the desert, cross-dressed in red gown, PJ "saved" by a golden vision of Ruth as a magnificent Indian goddess. For those who love the way movies can sometimes project truth and beauty, Holy Smoke is a feast for the eyes--and for the mind. --Kathleen MurphyA new Aisling Grey, Guardian, novel from the author of The Last of the Red-Hot Vampires

Drake Vire! o, the green dragon of Aisling's dreams, is finally ready to m! ake an h onest woman of her-if she can ever get him to the altar. Being stood up cools Aisling's jets, but not her passion, which is a good thing when Drake disappears and it's up to Aisling to find him. At least her doggie demon Jim is always at her side. Just call him a Guardian's best friend.

Read more »

Copying Beethoven

• COPYING BEETHOVEN

When young Anna Holz (Diane Kruger), a Viennese music student is asked to transcribe scoring notes for the great Ludwig van Beethoven (Harris), she eagerly accepts, despite warnings about his volatile behavior. Part maestro, part mentor and part madman, Beethoven reluctantly relies on Anna to help him realize the culmination of his art.

A passionate, powerful drama based loosely on the final months of Ludwig van Beethoven's life, Copying Beethoven finds the maestro a haunted man, composing the most revolutionary yet unappreciated work of his lifetime; largely deaf; disappointed in his relationship with a wastrel nephew; and fascinated by a young, female composer, Anna Holtz (Diane Kruger), who goes to work for him transcribing music. Staying as a guest at a convent and engaged to a stolid engineer, Anna is drawn to Beethoven’s tempestuous genius. Half the time he'! s enchanted by her and seems to see straight through to her soul. The other half, he's shouting at her for her timidity or flattery. Hardly a mouse, Anna fights back. The more she does, the more Beethoven recognizes in her a kindred survivor, someone with whom he can reveal his vulnerability and the burden of his artistry. Ed Harris' Beethoven is wracked by pain but not overwhelmed by it; he looks like a man who understands his responsibility to nature too well to merely disintegrate. ("God whispers in most men's ears," Beethoven says. "He shouts in mine.") Director Agnieszka Holland (Olivier, Olivier) oversees a handsome, alternately tender and brutal drama, with several thrilling moments, including the stunned look of audience members hearing the world premiere of the glorious 9th Symphony. --Tom Keogh

Copying Beethoven Extras

Watch Ed Harris speak about portraying Beethoven in this exclusive clip.

Beyond Copying Beethoven

Copying Beethoven Soundtrack

Famous Composers: Ludwig Van Beethoven

More From MGM

Stills from Copying Beethoven

Read more »

Something's Gotta Give

• Jack Nicholson is always a Key Feature
• Comedy Movie
• DVD

Jack Nicholson, Helen Hunt, Greg Kinnear and Cuba Gooding, Jr., star in James L. Brooks' hit comedy, As Good as it Gets. Nicholson gives a show-stopping performance as Melvin Udall, an obsessive-compulsive novelist with Manhattan's meanest mouth. But when his neighbor Simon is hospitalized, Melvin is forced to babysit Simon's dog. And that unexpected act of kindness, along with waitress Carol Connelly, helps put Melvin back in the human race.For all of its conventional plotting about an obsessive-compulsive curmudgeon (Jack Nicholson) who improves his personality at the urging of his gay neighbor (Greg Kinnear) and a waitress (Helen Hunt) who inspires his best behavior, this is one of the sharpest Hollywood comedies of the 1990s. Nicholson could play his role in his sleep (the Oscar he won should have gone to Rober! t Duvall for The Apostle), but his mischievous persona is precisely necessary to give heart to his seemingly heartless character, who is of all things a successful romance novelist. As a single mom with a chronically asthmatic young son, Hunt gives the film its conscience and integrity (along with plenty of wry humor), and she also won an Oscar for her wonderful performance. Greg Kinnear had to settle for an Oscar nomination (while cowriter-director James L. Brooks was inexplicably snubbed by Oscar that year), but his work was also singled out in the film's near-unanimous chorus of critical praise. It's questionable whether a romance between Hunt and the much older Nicholson is entirely believable, but this movie's smart enough--and charmingly funny enough--to make it seem endearingly possible. --Jeff ShannonHarry Sanborn (Jack Nicholson) is a perennial playboy with a libido much younger than his years. During what was to have been a romantic weekend with his ! latest infatuation, Marin (Amanda Peet), at her mother's Hampt! ons beac h house, Harry develops chest pains. He winds up being nursed by Marin's reluctant mother Erica Barry (Diane Keaton), a successful, divorced New York playwright. In the process, Harry develops more heart pangs -- the romantic kind -- for Erica, an age-appropriate woman whom he finds beguiling. However, some habits die hard. When Harry hesitates, his charming thirty something doctor (Keanu Reeves) steps in and starts to pursue Erica. And Harry, who has always had the world on a string, finds his life unraveling.As upscale sitcoms go, Something's Gotta Give has more to offer than most romantic comedies. Obviously working through some semi-autobiographical issues regarding "women of a certain age," writer-director Nancy Meyers brings adequate credibility and above-average intelligence to what is essentially (but not exclusively) a fantasy premise, in which an aging lothario who's always dated younger women (Jack Nicholson, more or less playing himself) falls for a succes! sful middle-aged playwright (Diane Keaton) who's convinced she's past the age of romance, much less sexual re-awakening. As long as old pals Nicholson and Keaton are on screen discussing their dilemma or discovering their mutual desire, Something's Gotta Give is terrific, proving (in case anyone had forgotten) that Hollywood can and should aim for an older demographic. Myers falls short with the sitcom device of a younger lover (Keanu Reeves) who wants Keaton as much as Nicholson does; it's believable but shallow and too easily dismissed. Myers also skimps on supporting roles for Frances McDormand, Amanda Peet, and Jon Favreau, but thankfully this is one romantic comedy that doesn't pander to youth. Mature viewers, rejoice! --Jeff Shannon

Read more »

DOGMA INCLUDES BONUS DIGITAL COPY

• DVD
• comedy
• thrilling
• fantasy
• angels

When two banished angels find a loophole that will allow them back into heaven at the cost of humankind an unsuspecting mortal woman two prophets and the thirteenth apostle are the only ones who can stop them. Special features: subtitles in english spanish and french talent files and murch more. Studio: Ingram Entertainment Release Date: 07/26/2005 Starring: Ben Affleck Matt Damon Run time: 130 minutes Rating: R Director: Kevin SmithKevin Smith is a conundrum of a filmmaker: he's a writer with brilliant, clever ideas who can't set up a simple shot to save his life. It was fine back when Smith was making low-budget films like Clerks and Chasing Amy, both of which had an amiable, grungy feel to them, but now that he's a rising director who's attracting top talent and tackling bigger themes, it might behoove ! him to polish his filmmaking. That's the main problem with Dogma--it's an ambitious, funny, aggressively intelligent film about modern-day religion, but while Smith's writing has matured significantly (anyone who thinks he's not topnotch should take a look at Chasing Amy), his direction hasn't. It's too bad, because Dogma is ripe for near-classic status in its theological satire, which is hardly as blasphemous as the protests that greeted the movie would lead you to believe.

Two banished angels (Ben Affleck and Matt Damon) have discovered a loophole that would allow them back into heaven; problem is, they'd destroy civilization in the process by proving God fallible. It's up to Bethany (Linda Fiorentino), a lapsed Catholic who works in an abortion clinic, to save the day, with some help from two so-called prophets (Smith and Jason Mewes, as their perennial characters Jay and Silent Bob), the heretofore unknown 13th apostle (Chris Rock), and a sexy,! heavenly muse (the sublime Salma Hayek, who almost single-han! dedly st eals the film). In some ways Dogma is a shaggy dog of a road movie--which hits a comic peak when Affleck and Fiorentino banter drunkenly on a train to New Jersey, not realizing they're mortal enemies--and segues into a comedy-action flick as the vengeful angels (who have a taste for blood) try to make their way into heaven. Smith's cast is exceptional--with Fiorentino lending a sardonic gravity to the proceedings, and Jason Lee smirking evilly as the horned devil Azrael--and the film shuffles good-naturedly to its climax (featuring Alanis Morissette as a beatifically silent God), but it just looks so unrelentingly... subpar. Credit Smith with being a daring writer but a less-than-stellar director. --Mark EnglehartOne of the most talked-about movies of the year is also one of the funniest! In this hilarious comic fantasy from writer/director Kevin Smith (Clerks, Chasing Amy) two banished angels (Ben Affleck and Matt Damon) find a loophole t! hat would get them back into Heaven. The only snag? They'll be destroying existence in the process. In an effort to stop them, The overworked Voice of God (Alan Rickman)taps cynical mortal Bethany (Linda Fiorentino) to save the world by preventing the angels from reaching their unholy destination: New Jersey! Throw in two unlikely prophets named Jay and Silent Bob (Jason Mewes and Kevin Smith), the quick-witted yet little-known thirteenth apostle (Chris Rock) and a sexy, former muse with a case of writer's block (Selma Hayek) and you've got an hysterical and thrilling race against time packed with an all-star cast.Kevin Smith is a conundrum of a filmmaker: he's a writer with brilliant, clever ideas who can't set up a simple shot to save his life. It was fine back when Smith was making low-budget films like Clerks and Chasing Amy, both of which had an amiable, grungy feel to them, but now that he's a rising director who's attracting top talent and tackling bigg! er themes, it might behoove him to polish his filmmaking. That! 's the m ain problem with Dogma--it's an ambitious, funny, aggressively intelligent film about modern-day religion, but while Smith's writing has matured significantly (anyone who thinks he's not topnotch should take a look at Chasing Amy), his direction hasn't. It's too bad, because Dogma is ripe for near-classic status in its theological satire, which is hardly as blasphemous as the protests that greeted the movie would lead you to believe.

Two banished angels (Ben Affleck and Matt Damon) have discovered a loophole that would allow them back into heaven; problem is, they'd destroy civilization in the process by proving God fallible. It's up to Bethany (Linda Fiorentino), a lapsed Catholic who works in an abortion clinic, to save the day, with some help from two so-called prophets (Smith and Jason Mewes, as their perennial characters Jay and Silent Bob), the heretofore unknown 13th apostle (Chris Rock), and a sexy, heavenly muse (the sublime Salma Hayek, wh! o almost single-handedly steals the film). In some ways Dogma is a shaggy dog of a road movie--which hits a comic peak when Affleck and Fiorentino banter drunkenly on a train to New Jersey, not realizing they're mortal enemies--and segues into a comedy-action flick as the vengeful angels (who have a taste for blood) try to make their way into heaven. Smith's cast is exceptional--with Fiorentino lending a sardonic gravity to the proceedings, and Jason Lee smirking evilly as the horned devil Azrael--and the film shuffles good-naturedly to its climax (featuring Alanis Morissette as a beatifically silent God), but it just looks so unrelentingly... subpar. Credit Smith with being a daring writer but a less-than-stellar director. --Mark EnglehartWHEN TWO BANISHED ANGELS FIND A LOOPHOLE THAT WILL ALLOW THEM BACK INTO HEAVEN AT THE COST OF HUMANKIND, AN UNSUSPECTINGMORTAL WOMAN, TWO PROPHETS AND THE THIRTEENTH APOSTLE ARE THE ONLY ONES WHO CAN STOP THEM. SPECI! AL FEATURES: SUBTITLES IN ENGLISH, SPANISH AND FRENCH, TALENT ! FILES AN D MURCH MORE.Kevin Smith is a conundrum of a filmmaker: he's a writer with brilliant, clever ideas who can't set up a simple shot to save his life. It was fine back when Smith was making low-budget films like Clerks and Chasing Amy, both of which had an amiable, grungy feel to them, but now that he's a rising director who's attracting top talent and tackling bigger themes, it might behoove him to polish his filmmaking. That's the main problem with Dogma--it's an ambitious, funny, aggressively intelligent film about modern-day religion, but while Smith's writing has matured significantly (anyone who thinks he's not topnotch should take a look at Chasing Amy), his direction hasn't. It's too bad, because Dogma is ripe for near-classic status in its theological satire, which is hardly as blasphemous as the protests that greeted the movie would lead you to believe.

Two banished angels (Ben Affleck and Matt Damon) have discovered a loophole ! that would allow them back into heaven; problem is, they'd destroy civilization in the process by proving God fallible. It's up to Bethany (Linda Fiorentino), a lapsed Catholic who works in an abortion clinic, to save the day, with some help from two so-called prophets (Smith and Jason Mewes, as their perennial characters Jay and Silent Bob), the heretofore unknown 13th apostle (Chris Rock), and a sexy, heavenly muse (the sublime Salma Hayek, who almost single-handedly steals the film). In some ways Dogma is a shaggy dog of a road movie--which hits a comic peak when Affleck and Fiorentino banter drunkenly on a train to New Jersey, not realizing they're mortal enemies--and segues into a comedy-action flick as the vengeful angels (who have a taste for blood) try to make their way into heaven. Smith's cast is exceptional--with Fiorentino lending a sardonic gravity to the proceedings, and Jason Lee smirking evilly as the horned devil Azrael--and the film shuffles good-na! turedly to its climax (featuring Alanis Morissette as a beatif! ically s ilent God), but it just looks so unrelentingly... subpar. Credit Smith with being a daring writer but a less-than-stellar director. --Mark EnglehartPacked with stars including Ben Affleck (GOOD WILL HUNTING), Chris Rock (NURSE BETTY), Shannon Elizabeth (AMERICAN PIE), Jason Lee (ALMOST FAMOUS), and more, this wildly irreverent comedy is actor/director Kevin Smith's hilarious finale to the adventures of Jay and Silent Bob that began in CLERKS and ran through MALLRATS, CHASING AMY, and DOGMA! When best buddies Jay (Jason Mewes) and Silent Bob (Smith) discover that a major motion picture is being based on their likenesses, they head for Hollywood to claim the big movie money they deserve. But when the dopey duo learn that they've been cut out of the cash, they set out to sabotage the flick at all costs! Featuring a host of celebrity cameos set to a hot hit soundtrack, Jay and Silent Bob's raucous cross country road trip is a crash course in the rules of the road ! with a nonstop assortment of outrageous characters that will have you laughing out loud!With sidesplitting dialogue and rampant profanity, Jay and Silent Bob Strike Back reunites Kevin Smith's dynamic duo in supreme lowbrow style. It's the fifth comedy in Smith's celebrated New Jersey "trilogy." Here Quick-Stop potheads Jay (Jason Mewes) and Silent Bob (Smith) wreak vengeance on Hollywood, where Miramax is making a "Bluntman & Chronic" feature inspired by J. and S.B., but without their permission. En route from Jersey to La La Land, Jay and his "hetero life mate" encounter sexy jewel thieves (including the delightful Shannon Elizabeth), a precocious orangutan, a dimwit wildlife marshal (Will Ferrell), and a nonstop parade of in-jokes, harmless (yet controversial) gay jokes, and splendid celebrity cameos. While gently biting the Miramax hand that feeds him, and paying affectionate homage to the Star Wars saga, Smith sheds all inhibitions to give Jay and Sile! nt Bob a stellar sendoff that's nasty, sassy, and undeniab! ly hilar ious. --Jeff ShannonImaginative theology and a bigger-than-usual budget make Kevin Smith's (CHASING AMY, CLERKS) fourth film a kind of post-Catholic fantasy that only a comic-book enthusiast of his caliber could dream up. It concerns banished angels, Loki (Matt Damon) and Bartleby (Ben Affleck) who, after a few millennia in Wisconsin, discover a loophole in Catholic doctrine that would allow them back into heaven--but prove the fallibility of God and destroy the universe. As they make their way to New Jersey to receive a plenary indulgence, God dispatches a seraphim (Alan Rickman) to recruit lapsed-Catholic Bethany (Linda Fiorentino) to stop the angels. She finds help in muses, prophets (Jay and Silent Bob), and the forgotten 13th apostle, Rufus (Chris Rock). Before long, all hell breaks loose (literally), and God (Alanis Morrisette) has to put in an appearance of her own. Smith's controversial (and very funny) film is powered by his trademark dialogue, ripe with obse! rvations on pop culture, religion, and bodily functions Included bonus digital copy for your PC & PSP must be redeemed by 06/17/09

Read more »

Triple Feature - Hart's War/Thin Red Line/Tigerland

• 3 Discs

Bruce Willis stars as an imprisoned officer who refuses to give up his fight to defeat the Nazis inthis "absorbing" (Roger Ebert) WWII adventure. Co-starring Colin Farrell (Minority Report) and packed with "crisp action sequences" (Los Angeles Times), Hart's War is a powerful and "stirring tribute to soldierly courage and honor" (L.A. Daily News). When Col. William McNamara (Willis) is stripped of his freedom in a German POW camp, he's determined to keep onfightingeven from behind enemy lines. Enlisting the help of a young lieutenant (Farrell) in a brilliant plot against his captors, McNamara risks everything on a mission to free his men and change the outcome of the war.Anyone who appreciates subtle tension will enjoy this World War II prison-camp drama, based on John Katzenbach's novel, in which honor, courage, and sacrifice are revealed in unexpected ways. Bruce Willis plays the r! anking U.S. prisoner in a Nazi POW camp, joined in December 1944 by a law-student lieutenant (up-and-coming star Colin Farrell) who'd been captured despite his father's powerful military connections. When a black pilot (Terrence Dashon Howard) from the famous Tuskeegee airmen is falsely accused of murdering a fellow prisoner, Farrell tries his case and discovers the real motivation behind Willis's kangaroo court. While combining elements of Stalag 17 and The Great Escape, director Gregory Hoblit (Primal Fear, Frequency) spices this moral dilemma with well-crafted suspense and a rousing dogfight sequence, but the human drama remains muted despite fine, understated performances by Willis, Farrell, and Howard. An escape thriller with an ethical twist, Hart's War works best as a study of heroism under extraordinary circumstances. --Jeff ShannonHART'S WAR - Blu-Ray MovieAnyone who appreciates subtle tension will enjoy this World War II p! rison-camp drama, based on John Katzenbach's novel, in which h! onor, co urage, and sacrifice are revealed in unexpected ways. Bruce Willis plays the ranking U.S. prisoner in a Nazi POW camp, joined in December 1944 by a law-student lieutenant (up-and-coming star Colin Farrell) who'd been captured despite his father's powerful military connections. When a black pilot (Terrence Dashon Howard) from the famous Tuskeegee airmen is falsely accused of murdering a fellow prisoner, Farrell tries his case and discovers the real motivation behind Willis's kangaroo court. While combining elements of Stalag 17 and The Great Escape, director Gregory Hoblit (Primal Fear, Frequency) spices this moral dilemma with well-crafted suspense and a rousing dogfight sequence, but the human drama remains muted despite fine, understated performances by Willis, Farrell, and Howard. An escape thriller with an ethical twist, Hart's War works best as a study of heroism under extraordinary circumstances. --Jeff ShannonHART'S WAR - DVD ! MovieAnyone who appreciates subtle tension will enjoy this World War II prison-camp drama, based on John Katzenbach's novel, in which honor, courage, and sacrifice are revealed in unexpected ways. Bruce Willis plays the ranking U.S. prisoner in a Nazi POW camp, joined in December 1944 by a law-student lieutenant (up-and-coming star Colin Farrell) who'd been captured despite his father's powerful military connections. When a black pilot (Terrence Dashon Howard) from the famous Tuskeegee airmen is falsely accused of murdering a fellow prisoner, Farrell tries his case and discovers the real motivation behind Willis's kangaroo court. While combining elements of Stalag 17 and The Great Escape, director Gregory Hoblit (Primal Fear, Frequency) spices this moral dilemma with well-crafted suspense and a rousing dogfight sequence, but the human drama remains muted despite fine, understated performances by Willis, Farrell, and Howard. An escape thriller wit! h an ethical twist, Hart's War works best as a study of! heroism under extraordinary circumstances. --Jeff ShannonBruce Willis stars as an imprisoned officer who refuses to give up his fight to defeat the Nazis inthis "absorbing" (Roger Ebert) WWII adventure. Co-starring Colin Farrell (Minority Report) and packed with "crisp action sequences" (Los Angeles Times), Hart's War is a powerful and "stirring tribute to soldierly courage and honor" (L.A. Daily News). When Col. William McNamara (Willis) is stripped of his freedom in a German POW camp, he's determined to keep onfightingeven from behind enemy lines. Enlisting the help of a young lieutenant (Farrell) in a brilliant plot against his captors, McNamara risks everything on a mission to free his men and change the outcome of the war.Anyone who appreciates subtle tension will enjoy this World War II prison-camp drama, based on John Katzenbach's novel, in which honor, courage, and sacrifice are revealed in unexpected ways. Bruce Willis plays the ranking U.S. prisoner in a Nazi POW ! camp, joined in December 1944 by a law-student lieutenant (up-and-coming star Colin Farrell) who'd been captured despite his father's powerful military connections. When a black pilot (Terrence Dashon Howard) from the famous Tuskeegee airmen is falsely accused of murdering a fellow prisoner, Farrell tries his case and discovers the real motivation behind Willis's kangaroo court. While combining elements of Stalag 17 and The Great Escape, director Gregory Hoblit (Primal Fear, Frequency) spices this moral dilemma with well-crafted suspense and a rousing dogfight sequence, but the human drama remains muted despite fine, understated performances by Willis, Farrell, and Howard. An escape thriller with an ethical twist, Hart's War works best as a study of heroism under extraordinary circumstances. --Jeff Shannon

Read more »

Carriers

• Condition: New
• Format: DVD
• AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC

Four kids are driving through the desert on the way to the beach, their faces anything but cheery: this isn't Spring Break. They're trying to outrun the end of the world and each other. In Alex and David Pastor's Carriers, no one is safe from the viral pandemic threatening to wipe out the human race. Determined to elude the deadly virus, Danny (Lou Taylor Pucci), his brother Brian (Chris Pine), his girlfriend Bobby (Piper Perabo) and Danny's school friend Kate (Emily VanCampo) speed across the Southwestern U.S. to reach a place of possible safety. Over the course of four days, the group is faced with moral decisions that no human should ever be forced to face. They discover that their greatest enemy is not the microbe attacking humanity, but the darkness within themselves.

Read more »

The Game Plan (Full Screen Edition)

• In this hilarious and heartwarming family comedy, one of the sport's toughest players ever takes on his biggest challenge yet -- fatherhood! A superstar with an ego bigger than a football field, Joe Kingman (Dwayne "The Rock" Johnson) is getting ready for a run at the big championship game when the 8-year-old daughter he never knew existed shows up at his not-so-family-friendly bachelo

Dwayne "The Rock" Johnson stars in this gritty and inspirational movie based on a true story of a group of teenage delinquents given a second chance to redeem themselves by playing football. Sean Porter (Johnson) is a frustrated juvenile probation officer. Most of the kids in his detention camp are either sent back to prison once they leave or meet a violent end when they return to the streets. Desperately looking for a way to make a difference, he and his co-worker Malcolm Moore (Xzibit, TV's Pimp My Ride) devise a plan to teach discipline and responsibility through the game of football. But with only four weeks before the start of the season, Porter must overcome insurmountable odds to put together a competitive team. It's a season that will test their minds, spirit, and bodies as Porter teaches his players the principles of good character, strength through resiliency, and genuine respect for one another.

In Gridiron Gang, Dwayne "The Rock" Johnson once again displays far more cinematic charisma than one could expect from a former professional wrestler. Sean Porter (Johnson, Be Cool), a football player turned juvenile detention counselor, wrestles with a seemingly insolvable problem: The vast majority of young men who leave detention fall right back into crime. Seeking a way to give these not-yet-hardened kids a taste of self-esteem and discipline, Porter persuades his superiors to let him teach the kids football--and then take on high school teams. Thoug! h based on a true story (documentary footage over the closing ! credits reveals that some dialogue was lifted straight from the real Sean Porter's mouth), Gridiron Gang is pure underdogs-overcome-adversity formula. A formula is not necessarily a bad thing; when executed with skill and commitment, fulfilling a classic story mechanism can be perfectly satisfying, and Gridiron Gang qualifies. But it's Johnson who carries it through, demonstrating--in the most unlikely of roles--a surprisingly gentle touch. Johnson manages to be manly without overbearing machismo, earning not only respect but empathy. --Bret Fetzer

Stills from Gridiron Gang (click for larger image)

Beyond Gridiron Gang at Amazon.com

More Football Films

The Soundtrack

Other Films about Underdogs

Dwayne "The Rock" Johnson stars in this gritty and inspirational movie based on a true story of a group of teenage delinquents given a second chance to redeem themselves by playing football. Sean Porter (Johnson) is a frustrated juvenile probation officer. Most of the kids in his detention camp are either sent back to prison once they leave or meet a violent end when they return to the streets. Desperately looking for a way to make a difference, he an! d his co-worker Malcolm Moore (Xzibit, TV's Pimp My Ride) devise a plan to teach discipline and responsibility through the game of football. But with only four weeks before the start of the season, Porter must overcome insurmountable odds to put together a competitive team. It's a season that will test their minds, spirit, and bodies as Porter teaches his players the principles of good character, strength through resiliency, and genuine respect for one another.

In Gridiron Gang, Dwayne "The Rock" Johnson once again displays far more cinematic charisma than one could expect from a former professional wrestler. Sean Porter (Johnson, Be Cool), a football player turned juvenile detention counselor, wrestles with a seemingly insolvable problem: The vast majority of young men who leave detention fall right back into crime. Seeking a way to give these not-yet-hardened kids a taste of self-esteem and discipline, Porter persuades his superiors to let him teach! the kids football--and then take on high school teams. Though! based o n a true story (documentary footage over the closing credits reveals that some dialogue was lifted straight from the real Sean Porter's mouth), Gridiron Gang is pure underdogs-overcome-adversity formula. A formula is not necessarily a bad thing; when executed with skill and commitment, fulfilling a classic story mechanism can be perfectly satisfying, and Gridiron Gang qualifies. But it's Johnson who carries it through, demonstrating--in the most unlikely of roles--a surprisingly gentle touch. Johnson manages to be manly without overbearing machismo, earning not only respect but empathy. --Bret Fetzer

Stills from Gridiron Gang (click for larger image)

!

Beyond Gridiron Gang at Amazon.com

More Football Films

The Soundtrack

Films about Underdogs

Dwayne "The Rock" Johnson stars in this gritty and inspirational movie based on a true story of a group of teenage delinquents given a second chance to redeem themselves by playing football. Sean Porter (Johnson) is a frustrated juvenile probation officer. Most of the kids in his detention camp are either sent back to prison once they leave or meet a violent end when they return to the streets. De! sperately looking for a way to make a difference, he and his co-worker Malcolm Moore (Xzibit, TV's "Pimp My Ride") devise a plan to teach discipline and responsibility through the game of football. But with only four weeks before the start of the season, Porter must overcome insurmountable odds to put together a competitive team. It's a season that will test their minds, spirit, and bodies as Porter teaches his players the principles of good character, strength through resiliency, and genuine respect for one another.

In Gridiron Gang, Dwayne "The Rock" Johnson once again displays far more cinematic charisma than one could expect from a former professional wrestler. Sean Porter (Johnson, Be Cool), a football player turned juvenile detention counselor, wrestles with a seemingly insolvable problem: The vast majority of young men who leave detention fall right back into crime. Seeking a way to give these not-yet-hardened kids a taste of self-esteem and disciplin! e, Porter persuades his superiors to let him teach the kids fo! otball-- and then take on high school teams. Though based on a true story (documentary footage over the closing credits reveals that some dialogue was lifted straight from the real Sean Porter's mouth), Gridiron Gang is pure underdogs-overcome-adversity formula. A formula is not necessarily a bad thing; when executed with skill and commitment, fulfilling a classic story mechanism can be perfectly satisfying, and Gridiron Gang qualifies. But it's Johnson who carries it through, demonstrating--in the most unlikely of roles--a surprisingly gentle touch. Johnson manages to be manly without overbearing machismo, earning not only respect but empathy. --Bret Fetzer

Stills from Gridiron Gang (click for larger image)

Beyond Gridiron Gang at Amazon.com

!

More Football Films

The Soundtrack

Films about Underdogs

Dwayne "The Rock" Johnson stars in this gritty and inspirational movie based on a true story of a group of teenage delinquents given a second chance to redeem themselves by playing football. Sean Porter (Johnson) is a frustrated juvenile probation officer. Most of the kids in his detention camp are either sent back to prison once they leave or meet! a violent end when they return to the streets. Desperately looking for a way to make a difference, he and his co-worker Malcolm Moore (Xzibit, TV's Pimp My Ride) devise a plan to teach discipline and responsibility through the game of football. But with only four weeks before the start of the season, Porter must overcome insurmountable odds to put together a competitive team. It's a season that will test their minds, spirit, and bodies as Porter teaches his players the principles of good character, strength through resiliency, and genuine respect for one another.

In Gridiron Gang, Dwayne "The Rock" Johnson once again displays far more cinematic charisma than one could expect from a former professional wrestler. Sean Porter (Johnson, Be Cool), a football player turned juvenile detention counselor, wrestles with a seemingly insolvable problem: The vast majority of young men who leave detention fall right back into crime. Seeking a way to give these not! -yet-hardened kids a taste of self-esteem and discipline, Port! er persu ades his superiors to let him teach the kids football--and then take on high school teams. Though based on a true story (documentary footage over the closing credits reveals that some dialogue was lifted straight from the real Sean Porter's mouth), Gridiron Gang is pure underdogs-overcome-adversity formula. A formula is not necessarily a bad thing; when executed with skill and commitment, fulfilling a classic story mechanism can be perfectly satisfying, and Gridiron Gang qualifies. But it's Johnson who carries it through, demonstrating--in the most unlikely of roles--a surprisingly gentle touch. Johnson manages to be manly without overbearing machismo, earning not only respect but empathy. --Bret Fetzer

Stills from Gridiron Gang (click for larger image)

Beyond Grid! iron Gang at Amazon.com

More Football Films

The Soundtrack

Films about Underdogs

Studio: Buena Vista Home Video Release Date: 08/15/2008 Run time: 110 minutes Rating: Pg"When you look at me, what do you see?" pontificates football star Joe Kingman, then provides the answer: "Greatness." Well, clearly an ego like that needs to be brought down to size--pint-size. The winni! ng family comedy The Game Plan has a whole lot going for it, including star Dwayne "The Rock" Johnson, who's a natural comedic actor (and the camera loves him), and the young actress (Madison Pettis) who plays the daughter he didn't know he had, Peyton. The plot doesn't break much new ground, since many films have mined the territory of the self-indulgent child-adult who suddenly "inherits" a child (from Three Men and a Baby to Baby Boom to Big Daddy to Raising Helen). But thanks to the charismatic performance of Johnson, the film is winsome and uplifting. Johnson's comic timing and straight-man face are spot-on, as is his warm chemistry with the sweet-faced Pettis. Also giving notable performances are the lovely Roselyn Sanchez as Peyton's ballet teacher, and Kyra Sedgwick as Kingman's hard-nosed agent who's aghast at the appearance of an out-of-wedlock child. Children and adults both can enjoy the movie's warm-and-fuzzy moral of making f! amily where you find it--or where it finds you. --A.T. Hurl! ey

Read more »