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- In the Line of Fire
- Clint Eastwood
- John Malkovich
- Rene Russo
- Wolfgang Peterson
What makes this Thomas Crown mor! e enjoya ble than its predecesor is McTiernan's attention to detail in both the set action pieces (no surprise from the man who helmed Die Hard with precision accuracy) and the developing romance, the witty and intelligent script by Leslie Dixon (she wrote the love scenes) and Kurt Wimmer (he wrote the action scenes), and, most of all, its two stunning leads (both over 40 to boot), combustible both in and out of bed. Brosnan, usually held prisoner in the James Bond straitjacket, lets loose with both a relaxed sensuality and a comic spirit he's rarely expressed before. The film, however, pretty much belongs to Russo, who doesn't just steal the spotlight, but bends it to her will. Beautiful, stylish, smart, self-possessed, incredibly sexy, she's practically a walking icon; it's no wonder Crown falls for her hook, line, and sinker. With Denis Leary as a police detective smitten with Russo, and Faye Dunaway in a throwaway but wholly enjoyable cameo as Brosnan's therapist. --Mar! k EnglehartThrill-seeking billionaire Thomas Crown (Brosnan) loves nothing more than courting disasterand winning! So when his world becomes too stiflingly safe, he pulls off his boldest stunt ever: stealing a priceless paintingin broad daylightfrom one of Manhattan's most heavily guarded museums. But his post-heist excitement soon pales beside an even greater challenge: Catherine Banning (Russo). A beautiful insurance investigator hired to retrieve the artwork, Catherine's every bit as intelligent, cunning and hungry for adventure as he is. And just when Thomas realizes he's finally met his match, she skillfully leads him into a daring game of cat and mouse that's more intoxicating and dangerous than anything either of them has ever experienced before!For the Hollywood remake rule, which dictates that an update of an older film be inferior to the original in almost every aspect, The Thomas Crown Affair stands as a glorious exception. The original 1968 film, sta! rring a dapper Steve McQueen and a radiant Faye Dunaway, was a! diverti ng pop confection of mod clothes and nifty break-ins, but not much more. John McTiernan's new version, though, cranks up the entertainment factor to mach speed, turning what was a languid flick into a high-adrenaline caper romance. Thomas Crown (Pierce Brosnan) is now a man of industry who likes to indulge in a little high-priced art theft on the side; Catherine Banning (Rene Russo) is the insurance investigator determined to get on his tail in more ways than one. If you're thinking cat-and-mouse game, think again--it's more like cat vs. smarter cat, as both the thief and the investigator try to outwit each other and nothing is off-limits, especially after they start a highly charged love affair that's a heated mix of business and pleasure.
What makes this Thomas Crown more enjoyable than its predecesor is McTiernan's attention to detail in both the set action pieces (no surprise from the man who helmed Die Hard with precision accuracy) and the devel! oping romance, the witty and intelligent script by Leslie Dixon (she wrote the love scenes) and Kurt Wimmer (he wrote the action scenes), and, most of all, its two stunning leads (both over 40 to boot), combustible both in and out of bed. Brosnan, usually held prisoner in the James Bond straitjacket, lets loose with both a relaxed sensuality and a comic spirit he's rarely expressed before. The film, however, pretty much belongs to Russo, who doesn't just steal the spotlight, but bends it to her will. Beautiful, stylish, smart, self-possessed, incredibly sexy, she's practically a walking icon; it's no wonder Crown falls for her hook, line, and sinker. With Denis Leary as a police detective smitten with Russo, and Faye Dunaway in a throwaway but wholly enjoyable cameo as Brosnan's therapist. --Mark EnglehartMovie DVDBased on the life of Gertrude Lintz, a Long Island socialite who kept an amazing menagerie of animals on her estate, this very able film by Caroline Thomps! on (Black Beauty) concentrates on Lintz's relationship ! with a g orilla named Buddy, whom she raised from infancy on. The film is geared toward kids, but in the very best sense as Thompson orchestrates some very entertaining sequences without cutting corners on logic, the way most forms of children's entertainment do today. Rene Russo is very good as the eccentric woman, and Robbie Coltrane is uncharacteristically warm and fuzzy as her patient husband. Nice support work from Alan Cumming and the rest of the cast. Thompson is aiming for something akin to the live-action glory days of Disney, and she comes close to achieving it. --Tom Keogh Studio: Tcfhe/mgm Release Date: 01/04/2011 Rating: RFor the Hollywood remake rule, which dictates that an update of an older film be inferior to the original in almost every aspect, The Thomas Crown Affair stands as a glorious exception. The original 1968 film, starring a dapper Steve McQueen and a radiant Faye Dunaway, was a diverting pop confection of mod clothes and nifty break-ins, bu! t not much more. John McTiernan's new version, though, cranks up the entertainment factor to mach speed, turning what was a languid flick into a high-adrenaline caper romance. Thomas Crown (Pierce Brosnan) is now a man of industry who likes to indulge in a little high-priced art theft on the side; Catherine Banning (Rene Russo) is the insurance investigator determined to get on his tail in more ways than one. If you're thinking cat-and-mouse game, think again--it's more like cat vs. smarter cat, as both the thief and the investigator try to outwit each other and nothing is off-limits, especially after they start a highly charged love affair that's a heated mix of business and pleasure.
What makes this Thomas Crown more enjoyable than its predecesor is McTiernan's attention to detail in both the set action pieces (no surprise from the man who helmed Die Hard with precision accuracy) and the developing romance, the witty and intelligent script by Lesl! ie Dixon (she wrote the love scenes) and Kurt Wimmer (he wrote! the act ion scenes), and, most of all, its two stunning leads (both over 40 to boot), combustible both in and out of bed. Brosnan, usually held prisoner in the James Bond straitjacket, lets loose with both a relaxed sensuality and a comic spirit he's rarely expressed before. The film, however, pretty much belongs to Russo, who doesn't just steal the spotlight, but bends it to her will. Beautiful, stylish, smart, self-possessed, incredibly sexy, she's practically a walking icon; it's no wonder Crown falls for her hook, line, and sinker. With Denis Leary as a police detective smitten with Russo, and Faye Dunaway in a throwaway but wholly enjoyable cameo as Brosnan's therapist. --Mark Englehart"Movies don't get more exciting than this! Don't Miss it!" (Joel Siegel, ABC-TV). "Eye-popping and heart-pounding. May be one of the best thrillers ever!" (Joanna Langfield, THE MOVIE MINUTE). A gripping, gut-wrenching thriller that delivers suspense in almost unbearable doses, IN THE LINE! OF FIRE showcases Clint Eastwood at his finest. In a performance that won universal acclaim. Eastwood stars as Frank Horrigan, a veteran Secret Service agent haunted by his failure to protect JFK from assassination. Thirty years later, he gets a chance to redeem himself when a brilliant psychopath threatens to kill the current president-and take Horrigan with him. Taunting him by phone and tantalizing him with clues, the assassin (John Malkovich) lures Horrigan into an electrifying battle of wits and will that only one man can survive. Co-starring Rene Russo as Horrigan's risk-taking Field Chief, IN THE LINE OF FIRE is a high-wire balancing act of searing suspense, explosive action and surprising romance. Quite simply, "one of the finest thrillers you'll ever see" (Roy Leonard, WGN-TV).
