Hard Boiled [Blu-ray]

• HARD BOILED BLU-RAY (BLU-RAY DISC)

Chow Yun-Fat stars as one of the all-time toughest, coolest cops, who teams up with an undercover agent to bring down a ruthless gun smuggling ring. Features some of the most amazing action cinematography in film history.Masterful Hong Kong action director John Woo (The Killer, Face/Off) turns in this exciting and pyrotechnic tale of warring gangsters and shifting loyalties. Chow Yun-fat (The Replacement Killers) plays a take-no-prisoners cop on the trail of the triad, the Hong Kong Mafia, when his partner is killed during a gun battle. His guilt propels him into an all-out war against the gang, including an up-and-coming soldier in the mob (Tony Leung) who turns out to be an undercover cop. The two men must come to terms with their allegiance to the force and their loyalty to each other as they try to take down the gangsters. A stunning! feast of hyperbolic action sequences (including a climactic sequence in an entire hospital taken hostage), Hard-Boiled is a rare treat for fans of the action genre, with sequences as thrilling and intense as any ever committed to film. --Robert Lane

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Crossing Over

• CROSSING OVER (DVD MOVIE)

Harrison Ford (Indiana Jones films) is on a quest for justice as an immigrations agent investigating the case of a missing illegal. In a cross-fire of crime and bureaucracy, fraud and murder, he must race against time to try to save a family from becoming collateral damage in the fight for the American dream. Critics rave, “Harrison Ford is terrific. An engrossing, thoroughly entertaining movie with great performances from a first-rate ensemble cast” (Pete Hammond, Hollywood.com). Co-starring Ashley Judd (Twisted), Ray Liotta (Smokin’ Aces), Jim Sturgess (21), and Cliff Curtis (10,000 BC); Crossing Over will keep you riveted until the final mystery unfolds.

Stills from Crossing Over (Click for larger image)

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The director of The Cooler tries a bigger canvas: Crossing Over is Wayne Kramer's take on nothing less than the vast subject of illegal immigration, coming at the topic from a dozen or so directions. Hefting the most star power is Harrison Ford, scurrying about as an L.A. Immigration and Customs officer whose conscience is sore from having trundled so many illegals back over the border--now he's worried about the child of a particularly vulnerable woman (Alice Braga). Cliff Curtis plays Ford's partner, an Iranian-American whose family ! is not as assimilated as his casual manner might suggest. There's a bit of pulp swagger in other sections of the picture, as Kramer tries to channel his inner Sam Fuller: for instance, an Immigration official (Ray Liotta at his piggiest) coerces an Australian actress (Alice Eve) into a sex-for-green-card affair, and an adolescent Arab-American girl (Summer Bishil, from Towelhead) gives a cheeky speech at school that puts her family under suspicion as possible terrorists. Other strands of this scenario aren't as urgent, as Ashley Judd dreams of adopting the African child she's tending, and Jim Sturgess (Across the Universe), as a British non-believer, tries to convince Immigration authorities of his commitment to working at a Jewish school. The movie's single best scene has him "auditioning" to convince a rabbi of his commitment to Judaism, a funny moment that also carries an echo of the history of Jewish exodus. The movie has a tendency to bash from one thing ! to the next, too neatly connecting its Crash-like plotl! ines, li ke a really spirited first draft of a better movie. --Robert Horton

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Becoming Jane [Blu-ray]

• Format: AC-3, Closed-captioned, Color, Dolby, Dubbed, Subtitled, Widescreen
• Language: English (Dolby Digital 2.0), English (Dolby Digital 5.1), Spanish (Dolby Digital 5.1)
• Aspect Ratio: 2.35:1
• Run Time: 120 minutes
• Actors: Guy Carleton, Philip Culhane, Joe Anderson (VI), Michael James Ford, Jessica Ashworth

Anne Hathaway (The Devil Wears Prada, The Princess Diaries) gives a radiant performance as a young, love-struck Jane Austen in the witty and engaging romantic comedy Becoming Jane from Miramax Films. It s the untold romance that inspired the novels of one of the world s most celebrated authors. When the dashing Tom Lefroy (James McAvoy, The Last King Of Scotland), a reckless and penniless lawyer-to-be, enters Jane s life, he offends the emerging writer s sense and sensibility. Soon their clashing egos set off sparks that ignite a passionate romance and fuel ! Jane s dream of doing the unthinkable marrying for love. Becoming Jane, also starring the acclaimed Maggie Smith, James Cromwell and Julie Walters, is an enchanting and imaginative film you ll fall head over heels forLike Molière, which was released in theaters around the same time, Becoming Jane isn't a conventional biopic. Instead, Julian Jarrold (White Teeth) expands on events from Jane Austen's life that may have shaped her fiction. To his credit, he doesn't stray too far from the facts. In 1795, 20-year-old Jane (Anne Hathaway with believable British accent) is an aspiring author. Her parents (Julie Walters and James Cromwell) married for love, and money is tight. They hope to see their youngest daughter make a more lucrative match, and there's a besotted local, Mr. Wisley (Laurence Fox, son of actor James Fox), who would be happy to oblige. Unfortunately, Jane isn't interested. Then, she meets brash law student Tom (The Last King of Scotland's! James McAvoy), while he's staying with relatives in rural! Hampshi re. As in many Austen novels, it isn't love at first sight--but rather irritation. Just as affection begins to bloom, Tom has to return to London, and Wisley, whose financial prospects are superior, proposes. To complicate matters, Tom's uncle (Ian Richardson in his final performance) disapproves of the outspoken young lady just as much as Wisley's aunt (Maggie Smith, lending the proceedings some subtle humor). Had Austen penned the script, Tom and Wisley would be combined into one person, but life doesn't work that way--and nor does Becoming Jane. Though Jarrold's effort may not be as swoon-worthy as Joe Wright's Pride and Prejudice, it remains true to the spirit of the author's work. --Kathleen C. FennessyAnne Hathaway (Love and Other Drugs) gives a radiant performance as a young, love-struck Jane Austen in the witty and engaging romantic comedy Becoming Jane. It s the untold romance that inspired the novels of one of the world's most cel! ebrated authors. When the dashing Tom Lefroy (James McAvoy, Atonement), a reckless and penniless lawyer-to-be, enters Jane's life, he offends the emerging writer's sense and sensibility. Soon their clashing egos set off sparks that ignite a passionate romance and fuel Jane's dream of doing the unthinkable--marrying for love. Becoming Jane, also starring the acclaimed Maggie Smith, James Cromwell and Julie Walters, is an enchanting and imaginative film you'll fall head over heels for.Like Molière, which was released in theaters around the same time, Becoming Jane isn't a conventional biopic. Instead, Julian Jarrold (White Teeth) expands on events from Jane Austen's life that may have shaped her fiction. To his credit, he doesn't stray too far from the facts. In 1795, 20-year-old Jane (Anne Hathaway with believable British accent) is an aspiring author. Her parents (Julie Walters and James Cromwell) married for love, and money! is tight. They hope to see their youngest daughter make a mor! e lucrat ive match, and there's a besotted local, Mr. Wisley (Laurence Fox, son of actor James Fox), who would be happy to oblige. Unfortunately, Jane isn't interested. Then, she meets brash law student Tom (The Last King of Scotland's James McAvoy), while he's staying with relatives in rural Hampshire. As in many Austen novels, it isn't love at first sight--but rather irritation. Just as affection begins to bloom, Tom has to return to London, and Wisley, whose financial prospects are superior, proposes. To complicate matters, Tom's uncle (Ian Richardson in his final performance) disapproves of the outspoken young lady just as much as Wisley's aunt (Maggie Smith, lending the proceedings some subtle humor). Had Austen penned the script, Tom and Wisley would be combined into one person, but life doesn't work that way--and nor does Becoming Jane. Though Jarrold's effort may not be as swoon-worthy as Joe Wright's Pride and Prejudice, it remains true to the spirit of ! the author's work. --Kathleen C. FennessyAnne Hathaway (The Devil Wears Prada, The Princess Diaries) gives a radiant performance as a young, love-struck Jane Austen in the witty and engaging romantic comedy Becoming Jane from Miramax Films. It s the untold romance that inspired the novels of one of the world s most celebrated authors. When the dashing Tom Lefroy (James McAvoy, The Last King Of Scotland), a reckless and penniless lawyer-to-be, enters Jane s life, he offends the emerging writer s sense and sensibility. Soon their clashing egos set off sparks that ignite a passionate romance and fuel Jane s dream of doing the unthinkable marrying for love. Becoming Jane, also starring the acclaimed Maggie Smith, James Cromwell and Julie Walters, is an enchanting and imaginative film you ll fall head over heels forLike Molière, which was released in theaters around the same time, Becoming Jane isn't a conventional biopic. Instead, Julian Jarrold (White ! Teeth) expands on events from Jane Austen's life that may ! have sha ped her fiction. To his credit, he doesn't stray too far from the facts. In 1795, 20-year-old Jane (Anne Hathaway with believable British accent) is an aspiring author. Her parents (Julie Walters and James Cromwell) married for love, and money is tight. They hope to see their youngest daughter make a more lucrative match, and there's a besotted local, Mr. Wisley (Laurence Fox, son of actor James Fox), who would be happy to oblige. Unfortunately, Jane isn't interested. Then, she meets brash law student Tom (The Last King of Scotland's James McAvoy), while he's staying with relatives in rural Hampshire. As in many Austen novels, it isn't love at first sight--but rather irritation. Just as affection begins to bloom, Tom has to return to London, and Wisley, whose financial prospects are superior, proposes. To complicate matters, Tom's uncle (Ian Richardson in his final performance) disapproves of the outspoken young lady just as much as Wisley's aunt (Maggie Smith, lendin! g the proceedings some subtle humor). Had Austen penned the script, Tom and Wisley would be combined into one person, but life doesn't work that way--and nor does Becoming Jane. Though Jarrold's effort may not be as swoon-worthy as Joe Wright's Pride and Prejudice, it remains true to the spirit of the author's work. --Kathleen C. Fennessy

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Posers, Fakers, and Wannabes: Unmasking the Real You (TH1NK)

• ISBN13: 9781576834657
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Be who God made you to be. Adapted for teens and students from Brennan Manning’s best-seller Abba’s Child, this book will help you see how God’s grace sets us free to be who we really are. No more games, no acts, no masks.

Discover your identity in Christ and be set free.

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CliffsNotes on Wharton's The House of Mirth (Cliffsnotes Literature Guides)

• ISBN13: 9780764537165
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Lily Bart must choose between her desire for a husband with wealth and standing, and her desire for respect and love. After rejecting several offers of marriage, she ultimately betrays her heart and destroys her reputation. With “The House of Mirth,” Wharton transforms the novel of manners into an incisive and disturbing portrait of the strictures imposed upon women in the upper class of 1890’s New York society."The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth," warns Ecclesiastes 7:4, and so does the novel by Edith Wharton that takes its title from this call to heed. New York at the turn of the century was a time of opulence and frivoli! ty for those who could afford it. But for those who couldn't and yet wanted desperately to keep up with the whirlwind, like Wharton's charming Lily Bart, it was something else altogether: a gilded cage rather than the Gilded Age.

One of Wharton's earliest descriptions of her heroine, in the library of her bachelor friend and sometime suitor Lawrence Selden, indicates that she appears "as though she were a captured dryad subdued to the conventions of the drawing room." Indeed, herein lies Lily's problem. She has, we're told, "been brought up to be ornamental," and yet her spirit is larger than what this ancillary role requires. By today's standards she would be nothing more than a mild rebel, but in the era into which Wharton drops her unmercifully, this tiny spark of character, combined with numerous assaults by vicious society women and bad luck, ultimately renders Lily persona non grata. Her own ambivalence about her position serves to open! the door to disaster: several times she is on the verge of ! "good" m arriage and squanders it at the last moment, unwilling to play by the rules of a society that produces, as she calls them, "poor, miserable, marriageable girls.

Lily's rather violent tumble down the social ladder provides a thumbnail sketch of the general injustices of the upper classes (which, incidentally, Wharton never quite manages to condemn entirely, clearly believing that such life is cruel but without alternative). From her start as a beautiful woman at the height of her powers to her sad finale as a recently fired milliner's assistant addicted to sleeping drugs, Lily Bart is heroic, not least for her final admission of her own role in her downfall. "Once--twice--you gave me the chance to escape from my life and I refused it: refused it because I was a coward," she tells Selden as the book draws to a close. All manner of hideous socialite beasts--some of whose treatment by Wharton, such as the token social-climbing Jew, Simon Rosedale, ! date the book unfortunately--wander through the novel while Lily plummets. As her tale winds down to nothing more than the remnants of social grace and cold hard cash, it's hard not to agree with Lily's own assessment of herself: "I have tried hard--but life is difficult, and I am a very useless person. I can hardly be said to have an independent existence. I was just a screw or a cog in the great machine I called life, and when I dropped out of it I found I was of no use anywhere else." Nevertheless, it's even harder not to believe that she deserved better, which is why The House of Mirth remains so timely and so vital in spite of its crushing end and its unflattering portrait of what life offers up. --Melanie RehakThis collection was designed for optimal navigation on Kindle and other electronic devices. It is indexed alphabetically, chronologically and by category, making it easier to access individual books, stories and poems. This collect! ion offers lower price, the convenience of a one-time download! , and it reduces the clutter in your digital library. All books included in this collection feature a hyperlinked table of contents and footnotes. The collection is complimented by an author biography. Table of Contents List of Works by Genre and TitleList of Works in Alphabetical OrderList of Works in Chronological OrderEdith Wharton Biography Novels:The Age of InnocenceThe Bunner SistersThe Custom of the CountryEthan FromeThe Fruit of the TreeThe Glimpses of the MoonThe House of MirthThe ReefSanctuarySummerThe TouchstoneThe Valley of Decision Non-Fiction:Fighting FranceIn Morocco Short Stories Collections:Crucial InstancesThe Descent of Man and Other StoriesThe Greater InclinationThe Hermit and the Wild WomanTales of Men and Ghosts Short Stories:AfterwardThe Angel at the GraveAutres TempsThe Best ManThe Blond BeastThe Bolted DoorThe ChoiceComing HomeThe Confessional"Copy" A DialogueA CowardA Cup of Cold WaterThe Daunt DianaThe DebtThe Descent of ManThe DilettanteThe Duchess at Pra! yerThe EyesExpiationFull CircleThe Fulness of LifeThe Hermit and the Wild WomanHis Father's SonThe House of The Dead HandIn TrustA JourneyKerfolThe Lady's Maid's BellThe Last AssetThe LegendThe LetterThe LettersThe Long RunMadame de TreymesThe Mission of JaneThe Moving FingerMrs. Manstey's ViewThe Muse's TragedyThe Other TwoThe PelicanThe PortraitThe Pot-BoilerThe PretextThe QuicksandThe ReckoningThe RecoveryThe RembrandtSouls BelatedThe Triumph of NightThe Twilight of the GodA Venetian Night's EntertainmentThe VerdictXingu Poetry:Artemis to Actaeon, and Other VersesBotticelli's Madonna in the LouvreThe SonnetThis collection was designed for optimal navigation on Kindle and other electronic devices. It is indexed alphabetically, chronologically and by category, making it easier to access individual books, stories and poems. This collection offers lower price, the convenience of a one-time download, and it reduces the clutter in your digital library. All books included in th! is collection feature a hyperlinked table of contents and foot! notes. T he collection is complimented by an author biography. Table of Contents List of Works by Genre and TitleList of Works in Alphabetical OrderList of Works in Chronological OrderEdith Wharton Biography Novels:The Age of InnocenceThe Bunner SistersThe Custom of the CountryEthan FromeThe Fruit of the TreeThe Glimpses of the MoonThe House of MirthThe ReefSanctuarySummerThe TouchstoneThe Valley of Decision Non-Fiction:Fighting FranceIn Morocco Short Stories Collections:Crucial InstancesThe Descent of Man and Other StoriesThe Greater InclinationThe Hermit and the Wild WomanTales of Men and Ghosts Short Stories:AfterwardThe Angel at the GraveAutres TempsThe Best ManThe Blond BeastThe Bolted DoorThe ChoiceComing HomeThe Confessional"Copy" A DialogueA CowardA Cup of Cold WaterThe Daunt DianaThe DebtThe Descent of ManThe DilettanteThe Duchess at PrayerThe EyesExpiationFull CircleThe Fulness of LifeThe Hermit and the Wild WomanHis Father's SonThe House of The Dead HandIn TrustA JourneyKe! rfolThe Lady's Maid's BellThe Last AssetThe LegendThe LetterThe LettersThe Long RunMadame de TreymesThe Mission of JaneThe Moving FingerMrs. Manstey's ViewThe Muse's TragedyThe Other TwoThe PelicanThe PortraitThe Pot-BoilerThe PretextThe QuicksandThe ReckoningThe RecoveryThe RembrandtSouls BelatedThe Triumph of NightThe Twilight of the GodA Venetian Night's EntertainmentThe VerdictXingu Poetry:Artemis to Actaeon, and Other VersesBotticelli's Madonna in the LouvreThe SonnetThis book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery."The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth," warns Ecclesiastes 7:4, and so does the novel by Edith Wharton that takes its title from this call to heed. New York at the turn of the century was a time of opulence and frivolity for those who could a! fford it. But for those who couldn't and yet wanted desperat! ely to k eep up with the whirlwind, like Wharton's charming Lily Bart, it was something else altogether: a gilded cage rather than the Gilded Age.

One of Wharton's earliest descriptions of her heroine, in the library of her bachelor friend and sometime suitor Lawrence Selden, indicates that she appears "as though she were a captured dryad subdued to the conventions of the drawing room." Indeed, herein lies Lily's problem. She has, we're told, "been brought up to be ornamental," and yet her spirit is larger than what this ancillary role requires. By today's standards she would be nothing more than a mild rebel, but in the era into which Wharton drops her unmercifully, this tiny spark of character, combined with numerous assaults by vicious society women and bad luck, ultimately renders Lily persona non grata. Her own ambivalence about her position serves to open the door to disaster: several times she is on the verge of "good" marriage and squanders it at! the last moment, unwilling to play by the rules of a society that produces, as she calls them, "poor, miserable, marriageable girls.

Lily's rather violent tumble down the social ladder provides a thumbnail sketch of the general injustices of the upper classes (which, incidentally, Wharton never quite manages to condemn entirely, clearly believing that such life is cruel but without alternative). From her start as a beautiful woman at the height of her powers to her sad finale as a recently fired milliner's assistant addicted to sleeping drugs, Lily Bart is heroic, not least for her final admission of her own role in her downfall. "Once--twice--you gave me the chance to escape from my life and I refused it: refused it because I was a coward," she tells Selden as the book draws to a close. All manner of hideous socialite beasts--some of whose treatment by Wharton, such as the token social-climbing Jew, Simon Rosedale, date the book unfortunate! ly--wander through the novel while Lily plummets. As her tale! winds d own to nothing more than the remnants of social grace and cold hard cash, it's hard not to agree with Lily's own assessment of herself: "I have tried hard--but life is difficult, and I am a very useless person. I can hardly be said to have an independent existence. I was just a screw or a cog in the great machine I called life, and when I dropped out of it I found I was of no use anywhere else." Nevertheless, it's even harder not to believe that she deserved better, which is why The House of Mirth remains so timely and so vital in spite of its crushing end and its unflattering portrait of what life offers up. --Melanie RehakThis book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

The tragic fall of one of the most heartbreaking characters in American literature, a beautiful socialite wh! o loses her footing in the savage social-climbing world of 19th century New York high society

 

Lily Bart has no fortune, but she possesses everything else she needs to make an excellent marriage: beauty, intelligence, a love of luxury, and an elegant skill in negotiating the hidden traps and false friends of New York's high society. But time and again Lily cannot bring herself to make the final decisive move: to abandon her sense of self and a chance of love for the final soulless leap into a mercenary union. Her time is running out, and degradation awaits. Edith Wharton's masterful novel is a tragedy of money, morality, and missed opportunity.

Since its publication in 1905 The House of Mirth has commanded attention for the sharpness of Wharton's observations and the power of her style. A lucid, disturbing analysis of the stifling limitations imposed upon women of her generation, Wharton's tale of Lily Bart's searc! h for a husband of position in New York Society, and betrayal ! of her o wn heart, transformed the traditional novel of manners into an arrestingly modern document of cultural anthropology. With incisive contemporary analysis, the introduction by a leading scholar of American literature updates this increasingly important work.The original CliffsNotes study guides offer expert commentary on major themes, plots, characters, literary devices, and historical background. The latest generation of titles in this series also feature glossaries and visual elements that complement the classic, familiar format.

CliffsNotes on The House of Mirth takes you into the waning years of the Gilded Age and the moral bankruptcy of New York City's elite class. Edith Wharton's story of a woman â€" whose beauty causes men to desire to possess her and women to be jealous of her â€" reflects the complicated struggle of the individual against the social strictures of a powerful, and triumphant, moneyed class.

This concise supplement to the satirically critical! The House of Mirth, helps you understand the overall structure of the novel, actions and motivations of the characters, and the social and cultural perspectives of the author. Features that help you study include

• Chapter-by-chapter summaries and commentaries
• A character map that outline key characteristics and relationships
• Insightful character analyses
• A critical essay about the opulence and emptiness of the Gilded Age
• A review section that tests your knowledge

Classic literature or modern modern-day treasure â€" you'll understand it all with expert information and insight from CliffsNotes study guides.

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The Closer: Complete First Season

• An offbeat personality, a tough-as-nails approach and a track record as one of the country's leading investigators--these are just a few of the traits exhibited by television's next great detective, Deputy Chief Brenda Leigh Johnson, played by three-time Golden Globe Award nominee Kyra Sedgwick in "The Closer." In her first lead role in a dramatic series, Sedgwick plays a tough CIA-trained detecti

Moving up? The LAPD is looking for a new chief and Will Pope thinks he has the inside track. He soon has an unexpected rival for the job: Brenda (Best Actress Emmy® and Golden Globe® winner Kyra Sedgwick). And Brenda has an unexpected ally helping groom her for the selection process: Capt. Raydor. The contest for chief is only one of the ingenious, suspenseful, often funny storylines that makes Season Six of The Closer stellar entertainment. Join the squad as Sanchez looks after an orphaned! boy, Tao goes undercover as a biker dude, Provenza and Flynn date airline attendants (turns out one of them has a corpse in her bathtub) and Brenda finds her family Christmas rudely interrupted by crime. Kyra Sedgwick's Brenda Johnson is one of TV's most compelling, complicated, and likable heroines. Johnson makes The Closer much more than just the well-written, crisply paced police procedural that it is. The viewer feels invested in Johnson's neurotic private life, marriage, and family, as well as in her political ambitions at the Los Angeles Police Department and in her relationships with her coworkers. In fact, The Closer hits its stride in season six as not just a fantastic showcase for Sedgwick's Emmy-winning acting talents, but also for the ensemble that helps her shine. J.K. Simmons, Corey Reynolds, Robert Gossett, G.W. Bailey, and Michael Paul Chan are among the all-too-human but motivated law-enforcement officials surrounding Johnson. Jon Tenney cont! inues to be the super-supportive best husband ever, FBI agent ! Fritz, a nd season six shows Fritz and Brenda settling into their new marriage, with just a few speed bumps. The other big theme of this season is the LAPD's search for a new police chief. Brenda's boss, Will Pope (Simmons), thinks he has the job in the bag, but suddenly there's a dark horse in the race--Deputy Chief Johnson herself. Mary McDonnell reprises her role as the officious Captain Raydor. Season six features plenty of gripping crime solving and just the right amount of humanity to keep lovers of The Closer entranced. Extras include lots of outtakes and deleted scenes, and an in-depth interview with Sedgwick on how she, and Brenda, have grown over the course of the show. --A.T. HurleyThe Superbit titles utilize a special high bit rate digital encoding process which optimizes video quality while offering a choice of both DTS and Dolby Digital 5.1 audio. These titles have been produced by a team of Sony Pictures Digital Studios video, sound and mastering engineer! s and comes housed in a special package complete with a 4 page booklet that contains technical information on the Superbit process. By reallocating space on the disc normally used for value-added content, Superbit DVDs can be encoded at double their normal bit rate while maintaining full compatibility with the DVD video format.Four extremely beautiful people do extremely horrible things to one another in Closer, Mike Nichols' pungent adaptation of Patrick Marber's play that easily marks the Oscar-winning director's best work in years. Anna (Julia Roberts) is a photographer who specializes in portraits of strangers; Dan (Jude Law) is an obituary writer struggling to become a novelist; Alice (Natalie Portman) is an American stripper freshly arrived in London after a bad relationship; and Larry (Clive Owen) is a dermatologist who finds love under the most unlikely of circumstances. When their paths cross it's a dizzying supernova of emotions, as Nichols and Marber adroitly con! struct various scenes out of their lives that pair them again ! and agai n in various permutations of passion, heartbreak, anger, sadness, vengeance, pleading, deception, and most importantly, brutal honesty. It's only until you're more than halfway through the movie that you'll have to ask yourself exactly why you are watching such a beautifully tragic tale, as Closer is basically the ickiest, grossest, most dysfunctional parts of all your past relationships strung together into one movie. Ultimately, it falls to the four actors to draw you deeper into the story; all succeed relatively, but it's Law and Owen whose characters will cut you to the quick. Law proves that yet again he's most adept at playing charming, amoral bastards with manipulative streaks, and Owen is nothing short of brilliant as the character most turned on by the energy inherent in destructive relationships--whether he's on the giving or receiving end. --Mark EnglehartSynopsis: An offbeat personality, a tough-as-nails approach and a track record as one of the country's ! leading investigators--these are just a few of the traits exhibited by television's next great detective, Deputy Chief Brenda Leigh Johnson, played by three-time Golden Globe Award nominee Kyra Sedgwick in "The Closer." In her first lead role in a dramatic series, Sedgwick plays a tough CIA-trained detective, with Southern charm, who has been brought from Atlanta to Los Angeles to head up the Priority Murder Squad, a special unit of the LAPD that handles sensitive, high-profile murder cases. "The Closer" is executive produced by the team behind "Nip/Tuck."

DVD Features:
Deleted Scenes
Deleted Scenes
Deleted Scenes
Deleted Scenes

Deputy Police Chief Brenda Johnson (Kyra Sedgwick, Personal Velocity) isn't about making friends, she's about getting results. Days after her transfer from Atlanta, the LAPD's Priority Homicide Division decides they can't work with the blunt-talking Southern belle. Fortunately, she has ! former CIA colleague, Assistant Police Chief Will Pope (J.K. S! immons, Spider-Man), on her side. As he explains to Captain Taylor (Robert Gossett), who she has just replaced, "She is not miss congeniality...but she's a closer." Set to the sound of urban blues, TNT's The Closer is Columbo by way of Prime Suspect. In other words, Johnson may be as messy as Oscar Madison, but she's as sharp as Sherlock Holmes. Throughout the first season, she'll solve 13 murders, including those of a reclusive mathematician, a Russian prostitute, and a British butler. She won't get much support from her colleagues, except for Sergeant David Gabriel (Corey Reynolds, Broadway’s Hairspray)--to the consternation of his co-workers, like Detective Lieutenants Provenza (G.W. Bailey, M*A*S*H) and Flynn (Tony Denison, Melrose Place). Johnson also has a friend in FBI Special Agent Fritz Howard (Jon Tenney, You Can Count on Me). With his help, she'll eventually settle into her new environment, especially when she land! s a house and a cat on the same day (conveniently left behind by a victim). Just as it takes awhile for the chief to grow on her squad--and to get used to driving in LA--Sedgwick's Golden Globe-nominated performance follows a similar trajectory. Fortunately, "Scarlett O'Hara," as the droll Provenza dubs her, becomes more fully-rounded as the season progresses, aided by a superb SAG Award-nominated ensemble cast. Consulting producer on The Closer is former LA District Attorney Gil Garcetti of O.J. infamy. --Kathleen C. Fennessy

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Body Colorz⢠Lot of 10 Double Jeweled Gem Belly Navel Rings 14g 7/16"

• Brand New Belly Rings made by Body Colorzâ„¢
• You will receive 10 belly rings of assorted colors (no duplicates)
• 5mm Top Ball / 8mm Bottom Ball (Threaded interchangable tops)
• High Quality 316L Surgical Steel
• Standard 14 Gauge 7/16"

BELLY SPECIAL EDITION - DVD MovieFrom acclaimed director Hype Williams comes this realistic urban drama highlighted by an all-star hip-hop cast, visually dazzling cinematography and a pulsing rap soundtrack. Widescreen/Blu Ray of Belly a drama released in 1998 featuring Method Man, Nas, DMX, Taral Hicks. Tionne 'T-Boz' Watkins, Hassan Johnson, Power, Louie Rankin, Tyrin Turner, Stanley Drayton, Kurt Loder, The Rev. Benjamin F. Muhammed. Director: Hype Williams. Synopsis: On the run from the feds and dodging bullets from their rivals, two longtime friends begin to question each other's loyalty. Rating: R for strong violence, language! , sexuality and drug use. Length: 95 MinutesSet of 10 Body Colorzâ„¢ brand double gem jeweled belly rings (no duplicate colors). Colors may vary from those shown in the picture.

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Big Trouble

• The laughs come fast and furious as Tim Allen (JOE SOMEBODY, GALAXY QUEST) and Rene Russo (SHOWTIME, THE THOMAS CROWN AFFAIR) star in a film from Barry Sonnenfeld, director of GET SHORTY and MEN IN BLACK. Based on humorist Dave Barry's best-selling first novel, BIG TROUBLE follows the comedic chaos created when a mysterious suitcase that threatens the security of Miami changes the lives of a d

BIG TROUBLE - DVD MovieThe frantic pacing of Big Trouble is surely intentional, but the movie leaves you wanting more of... something. Not more characters--it's got plenty of those--but more room for them to breathe in a top-heavy plot that recalls Get Shorty (also directed by Barry Sonnenfeld) without reaching those heights of ingenuity. Based on the bestseller by syndicated Miami Herald columnist Dave Barry, this Miami-based mayhem bears the distinct imprint of Barry's humo! r, in which absurdities pile up like rush-hour traffic, involving a former journalist (Tim Allen) connected by circumstance to a wealthy schemer (Stanley Tucci), his bored wife (Rene Russo), Russian mobsters, mismatched cops (Janeane Garofalo, Patrick Warburton), power-crazed FBI agents (Heavy D, Omar Epps), a Frito-loving drifter (Jason Lee), cretinous criminals (Tom Sizemore, Johnny Knoxville), and a gigantic toad that shoots hallucinogenic saliva. Culminating in an airport bomb smuggling (prompting the film's delayed release after the tragedy of September 11, 2001), Big Trouble needs the brilliant cohesion of Dr. Strangelove; what it gets is Sonnenfeld's knack for sustained chaos, and a few decent belly laughs. --Jeff Shannon
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